Tracklist
Shout | 3:15 | ||
The Satisfied Mind | 3:06 | ||
Don't Rescue Me | 3:04 | ||
The 4th Dimension | 4:26 | ||
C'Mon | 3:16 | ||
Here To Go | 3:15 | ||
Jurisdiction Of Love | 2:58 | ||
Puppet Boy | 3:08 | ||
Please Please | 3:00 | ||
Are You Experienced? | 3:08 |
Credits (20)
- Vigon SeireeniArt Direction
- Robert CasaleEngineer
- Ed Delena*Engineer [Assistant]
-
Effective GraphicsGraphics [Computer Graphics]
- Steve Marcussen*Mastered By [Originally]
- Mike ShipleyMixed By
Versions
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47 versions
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Shout
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Warner Bros. Records – 9 25097-1 | US | 1984 | US — 1984 | ||||
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Warner Bros. Records – 36.202 | Brazil | 1984 | Brazil — 1984 |
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Warner Bros. Records – 9 25097-4 | US | 1984 | US — 1984 |
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Warner Bros. Records – 925 097-1 | Europe | 1984 | Europe — 1984 | ||||
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Warner Bros. Records – 92-50971 | Canada | 1984 | Canada — 1984 |
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Warner Bros. Records – 925 097-1 | Spain | 1984 | Spain — 1984 |
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Warner Bros. Records – LWB-6311 | Mexico | 1984 | Mexico — 1984 |
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Warner Bros. Records – 925 097-1 | Greece | 1984 | Greece — 1984 |
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Warner Bros. Records – 759 92-5097-1 | Portugal | 1984 | Portugal — 1984 |
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Warner Bros. Records – 92 5097-1 | Italy | 1984 | Italy — 1984 |
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Warner Bros. Records – 9 25097-1 | 1984 | — 1984 |
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Warner Bros. Records – 92 50974 | Canada | 1984 | Canada — 1984 |
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Warner Bros. Records – 25097-1 | Australia | 1984 | Australia — 1984 |
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Warner Bros. Records – P-13030 | Japan | 1984 | Japan — 1984 |
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Warner Bros. Records – P-13030 | Japan | 1984 | Japan — 1984 |
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Shout = Grita
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Warner Bros. Records – 25097 | Argentina | 1984 | Argentina — 1984 |
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Warner Bros. Records – W1-25097 | US | 1984 | US — 1984 |
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Warner Bros. Records – 925 097-4 | Spain | 1984 | Spain — 1984 |
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Warner Bros. Records – LP-80071 | Ecuador | 1984 | Ecuador — 1984 |
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Warner Bros. Records – 925 5097-4 | Italy | 1984 | Italy — 1984 |
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Warner Bros. Records – W4-25097 | US | 1984 | US — 1984 |
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Warner Bros. Records – 925 097-1 | Europe | 1984 | Europe — 1984 |
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Warner Bros. Records – Y - WBR 0025097.8 | Peru | 1984 | Peru — 1984 |
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Warner Bros. Records – 759 92-5097-4 | Portugal | 1984 | Portugal — 1984 |
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Warner Bros. Records – 925 097-4 | 1984 | — 1984 |
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Warner Bros. Records – 93834 | Argentina | 1984 | Argentina — 1984 |
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Warner Bros. Records – 195044 | Chile | 1984 | Chile — 1984 |
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Warner Bros. Records – 925097-1 | Europe | 1984 | Europe — 1984 |
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Warner Bros. Records – M5-1 25097 | Philippines | 1984 | Philippines — 1984 |
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Warner Bros. Records – 9 25097-1 | US | 1984 | US — 1984 |
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Warner Bros. Records – 25097-4 | Australia | 1984 | Australia — 1984 |
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Warner Bros. Records – 1-25097 | Philippines | 1984 | Philippines — 1984 |
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Warner Bros. Records – WB-25097 | US | 1984 | US — 1984 |
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Warner Bros. Records – 92 50974 | Italy | 1984 | Italy — 1984 |
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Warner Bros. Records – 925 097-1 | Spain | 1984 | Spain — 1984 |
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Warner Bros. Records – Y - WBR - 0025097.8 | Peru | 1984 | Peru — 1984 |
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Warner Bros. Records – 9 25097-4 | US | 1984 | US — 1984 |
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Warner Bros. Records – 925 097-1 | Europe | 1984 | Europe — 1984 |
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Warner Bros. Records – 25097-1 | US | 1984 | US — 1984 |
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Warner Bros. Records – WP-4175 | Japan | 1991 | Japan — 1991 |
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Recommendations
Reviews
-
Even though the following statement from Wikipedia entry about Devo using the Fairlight sampler / sequencer for this
recording, it seems logical that they would follow such a progression to reflect their namesake (to devolve)... IMO.
From Wikipedia:
Devo's 1984 album Shout heavily featured the Fairlight CMI at the expense of anastruments. Gerald Casale later stated that Shout was the biggest regret of his career, "because the Fairlight [synthesizer] just kind of took over everything on that record. I mean, I loved the songwriting and the ideas, but the Fairlight kind of really determined the sound. -
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I've always liked "Shout". It's great to see the expression on other diehard Devo fans' faces when I tell them this, because many think it's one of Devo's worst albums. (I think either "Total Devo" and/or "Smooth Noodle Maps" might vie for that place).
Tracks like "Here To Go" and "Jurisdiction Of Love" are great, the title track is super (and the E-Z listening version is even better!), and Devo's take on "Are You Experienced?" remains a true gem.
At the time, the albums was scarcely promoted, only one video clip was made (for "Experienced?", and (at the time) it was Devo's highest budgeted videos; it remains rarely seen, because of reluctance from the Hendrix estate.), and it was generally forgotten by the masses. -
Devo's first turn for the worst (Oh No, It's Devo! was more like a crossing point)
We are introduced to a nearly all synth Devo: drum synths, synth horns and almost no guitars. For Devo's earlier fans it turned to be a big disappointment. However there are songs on this album that are worth listening too.
1. Shout: Actually a great song too bad it's on an album like this.
2. The Satisfied Mind: Pretty good follow up to the title track.
3. Don't Rescue Me: Great song great synth line.
4. The 4th Dimension: kinda goofy at the beginning but it picks up after a while.
5. C'mon: Lyrics are kinda weak but alright.
6. Here To Go: Start of Side B and is that exact quality.
7. Jurisdiction Of Love: This is the first step in a line of horrible songs.
8. Puppet Boy: WTF? Some of the worst writing ever. Pinocchio should have gone to school.
9. Please Please: The last decent song, just decent.
10. Are You Experienced?: Probably their worst cover, just stupid and Hendrix is way better.
Overall a just-okay album. Some great songs on Side A but B just destroys it.
2.5/5
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