Deep Purple – The Book Of Taliesyn
Label: |
Tetragrammaton Records – T-107 |
---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
A1 | Listen, Learn, Read On | 4:02 | |
A2 | Hard Road | 5:15 | |
A3 | Kentucky Woman | 4:43 | |
A4A | Exposition | 7:06 | |
A4B | We Can Work It Out | ||
B1 | The Shield | 6:00 | |
B2 | Anthem | 5:29 | |
B3 | River Deep, Mountain High | 10:05 |
Companies, etc.
- Recorded At – De Lane Lea Studios
- Mastered At – DCT Recorders
Credits
- Arranged By [String Arrangement] – Jon Lord
- Art Direction – Les Weisbrich
- Bass Guitar, Vocals – Nicky*
- Cover [Cover Arrt] – John Vernon Lord
- Drums – Ian*
- Engineer – Barry Ainsworth
- Lead Guitar – Richie*
- Mastered By – DWJ*
- Organ, Vocals – Jon*
- Producer – Derek Lawrence
- Vocals – Rod*
Notes
Label variation: The typesetting layout may differ from other similar versions.
Tip-on cardboard sleeve
Tip-on cardboard sleeve
Barcode and Other Identifiers
- Matrix / Runout (A runout): T-107A DCT3 DWJ
- Matrix / Runout (B runout): T-107B DCT3 DWJ
Other Versions (5 of 222)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
The Book Of Taliesyn (Reel-To-Reel, Album, Stereo, 3 ¾ ips) | Tetragrammaton Records | TNX 107 | US | 1968 | |||
New Submission
|
The Book Of Taliesyn (LP, Album, Stereo) | Polydor | 543 016 | Canada | 1968 | ||
The Book Of Taliesyn (LP, Album, Stereo, Monarch Pressing) | Tetragrammaton Records | T-107 | US | 1968 | |||
The Book Of Taliesyn (LP, Album, Stereo) | Tetragrammaton Records | T-107 | US | 1968 | |||
New Submission
|
The Book Of Taliesyn (LP, Album, Stereo, Santa Maria Pressing) | Tetragrammaton Records | T-107 | US | 1968 |
Recommendations
Reviews
-
Does anybody have experience with the different pressings on CD of the first three albums?
I'd like to know what issues to get that sounds closest to master. Preferably not Brickwalled/Compressed , EQed unnatural.
Have they maybe done flat transfers for these albums ? -
This is BOOTLEG edition from the 70s! The labels on vinyl were rough, like damaged and it offered very poor sound quality! Original Tetragrammaton label were smooth, almost glossy and the sound was great - better than on original UK Harvest press! Original vs counterfeit covers are hard to recognize, but bootleg ones were little washed.
-
Why is "The Book Of Taliesyn" listed ahead of "Shades Of Deep Purple"? Shades was their first studio album and came out before Taliesyn.
-
I have an early pressing on Tetragrammaton Records with silver inner labels. Is this not one of the THINNEST sounding recordings ever? I’ve owned this record for YEARS and have hardly listened to it because it sounds like it was mixed in a tin can. I actually like the songs but WOW. I’m just baffled by the poor recording and/or mastering.
-
Original owner here.
I just pulled this out after lord only knows how many years. First play at standard VTA settings for pressings of that era and it sounded like garbage. Reset the VTA up +.4mm and a world of difference. Vocals were clearer, bass and especially the drums made sense. The tympani drums on Hard Road and especially on Kentucky Woman actually sounded like they should, given the state of the art in the day. This puppy is thick, could be mistaken for a modern 180 g. Just for S & G's I put it on my scale. 162 grams. The final VTA lift was .75mm side to 1mm on side 2. Went from a nice try to a nice job.
This is a really great album that you can listen to all the way through with so many of the original versions of what have become solid parts of their work and in concert staples. This is the album that kept me interested in Deep Purple and what was to come next.
1989 modded SL 1200 MK3 AT20SLa Shibata cart with factory stylus Wayne's periphery ring ripped @ 24 bit 96 khz with a Pro_Ject phono preamp ADC w USB out to Sony SF8.0 -
Edited 9 years agoDoesn't anyone think this one might be a bootleg back from the '70s? The silver label paper on the pics has all these roughnesses! The genuine Tetragrammaton labels were made of good, plain paper, weren't they?
-
DCT had 4 cutting rooms at this time and many inscriptions indicated the room so that future releases could be cut in the same room. Three and four were most similar with Scully Lathes and Westrex 3D Cutter Heads and were often interchanged. Room one was strictly mono and room two was in a constant state of experimentation.
-
I just bought this and it is as described here, it is still in the shrink-wrap with a $1.99 price sticker from Sutton records, I paid $10.00 for it, a great find!
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
84 copies from €4.10