New Order – Power Corruption And Lies
Label: |
Warner Music – 0190295659158 |
|---|---|
Series: |
Definitive Edition |
Format: |
CD
, Album, Reissue, Remastered
Box Set
, Definitive Edition
|
Country: |
Worldwide |
Released: |
|
Genre: |
Rock |
Style: |
Synth-pop |
Tracklist
| Power Corruption & Lies | |||
| A1 | Age Of Consent | ||
| A2 | We All Stand | ||
| A3 | The Village | ||
| A4 | 5 8 6 | ||
| B1 | Your Silent Face | ||
| B2 | Ultraviolence | ||
| B3 | Ecstasy | ||
| B4 | Leave Me Alone | ||
| CD1-1 | Age Of Consent | 5:16 | |
| CD1-2 | We All Stand | 5:15 | |
| CD1-3 | The Village | 4:37 | |
| CD1-4 | 5 8 6 | 7:32 | |
| CD1-5 | Your Silent Face | 5:57 | |
| CD1-6 | Ultraviolence | 4:52 | |
| CD1-7 | Ecstasy | 4:26 | |
| CD1-8 | Leave Me Alone | 4:42 | |
| Extras | |||
| CD2-1 | Age Of Consent (Writing Session Recording) | 4:40 | |
| CD2-2 | The Village (Writing Session Recording) | 3:14 | |
| CD2-3 | 5 8 6 (Writing Session Recording) | 3:25 | |
| CD2-4 | Your Silent Face (Writing Session Recording) | 5:02 | |
| CD2-5 | Ecstasy (Writing Session Recording) | 4:25 | |
| CD2-6 | Leave Me Alone (Writing Session Recording) | 4:09 | |
| CD2-7 | Turn The Heater On (John Peel Session) | 5:03 | |
| CD2-8 | We All Stand (John Peel Session) | 5:25 | |
| CD2-9 | Too Late (John Peel Session) | 3:38 | |
| CD2-10 | 5 8 6 (John Peel Session) | 6:08 | |
| CD2-11 | Too Late (Instrumental Rough Mix) | 3:41 | |
| CD2-12 | Thieves Like Us (New York Demo #1) | 6:42 | |
| CD2-13 | Thieves Like Us (Writing Session Recording) | 2:00 | |
| CD2-14 | Murder (Writing Session Recording) | 3:41 | |
| CD2-15 | Blue Monday (Writing Session Recording) | 2:10 | |
| CD2-16 | Blue Monday (Writing Session Recording) | 5:50 | |
| CD2-17 | Blue Monday (Instrumental Outtake) | 7:19 | |
| The Hacienda, Manchester 1982 | |||
| DVD1-1 | In A Lonely Place | 4:59 | |
| DVD1-2 | Ultraviolence | 3:37 | |
| DVD1-3 | Denial | 4:07 | |
| DVD1-4 | The Village | 4:19 | |
| DVD1-5 | We All Stand | 5:32 | |
| DVD1-6 | Senses | 4:07 | |
| DVD1-7 | Chosen Time | 3:20 | |
| DVD1-8 | 5 8 6 | 4:52 | |
| DVD1-9 | Temptation | 7:35 | |
| DVD1-10 | Everything's Gone Green | 5:21 | |
| Rosehill Hotel, Kilkenny, Ireland 1983 | |||
| DVD1-11 | We All Stand | 5:18 | |
| DVD1-12 | Leave Me Alone | 4:07 | |
| DVD1-13 | Denial | 4:49 | |
| DVD1-14 | The Village | 5:10 | |
| DVD1-15 | Temptation | 9:20 | |
| DVD1-16 | Confusion | 6:11 | |
| DVD1-17 | Age Of Consent | 6:25 | |
| DVD1-18 | Blue Monday | 4:26 | |
| DVD1-19 | Everything's Gone Green | 7:13 | |
| DVD1-20 | Ceremony | 5:02 | |
| TV Sessions | |||
| DVD1-21 | Blue Monday (BBC Top Of The Pops, London 1983) | 3:57 | |
| DVD1-22 | Confusion (Countdown 1983) | 5:01 | |
| DVD1-23 | Age Of Consent (Switch 1983) | 4:35 | |
| DVD1-24 | Blue Monday (Switch 1983) | 5:23 | |
| DVD1-25 | Thieves Like Us (BBC Top Of The Pops 1984) | 3:25 | |
| Extras | |||
| DVD1-26 | Your Silent Face (The Haçienda, Manchester) | 6:47 | |
| DVD1-27 | 5 8 6 (The Haçienda, Manchester) | 6:25 | |
| DVD1-28 | We All Stand (Recreation Centre, Tolworth) | 6:50 | |
| DVD1-29 | Leave Me Alone (Recreation Centre, Tolworth) | 4:11 | |
| DVD1-30 | Love Will Tear Us Apart (Tower Ballroom, Birmingham) | 3:39 | |
| DVD1-31 | Ultraviolence (First Avenue, Minneapolis) | 5:38 | |
| DVD1-32 | The Village (Uni-Mensa, Dusseldorf) | 5:01 | |
| DVD1-33 | Thieves Like Us (Alabamahalle, Munich) | 6:37 | |
| DVD1-34 | Blue Monday (Alabamahalle, Munich) | 7:43 | |
| DVD1-35 | Lonesome Tonight (Metropol, Berlin) | 5:30 | |
| DVD1-36 | Confusion (Metropol, Berlin) | 6:55 | |
| The Haçienda, Manchester 1983 | |||
| DVD2-1 | Blue Monday | 8:40 | |
| DVD2-2 | Age Of Consent | 5:03 | |
| DVD2-3 | Lonesome Tonight | 5:47 | |
| DVD2-4 | Your Silent Face | 8:06 | |
| DVD2-5 | Leave Me Alone | 4:42 | |
| DVD2-6 | 5 8 6 | 7:11 | |
| DVD2-7 | Denial | 5:28 | |
| DVD2-8 | Confusion | 6:03 | |
| DVD2-9 | Temptation | 8:17 | |
| DVD2-10 | Thieves Like Us | 14:49 | |
| DVD2-11 | In A Lonely Place | 5:20 | |
| DVD2-12 | Everything's Gone Green | 6:02 | |
| Play At Home (Channel 4, 1984) | |||
| DVD2-13 | "The Word Came Out Of L.A." | 16:00 | |
| DVD2-14 | The Five Year Plan. ... | 18:09 | |
| DVD2-15 | Seven Months, Three Days Later | 16:42 | |
| DVD2-16 | Untitled | 9:37 |
Companies, etc.
- Record Company – Warner Music Group
- Licensed From – BBC Studios
- Manufactured By – Optimal Media GmbH – AK11238
- Manufactured By – Optimal Media GmbH – AK11240
- Manufactured By – Optimal Media GmbH – DK08449
- Manufactured By – Optimal Media GmbH – DK08450
- Phonographic Copyright ℗ – Warner Music UK Ltd.
- Phonographic Copyright ℗ – BBC
- Phonographic Copyright ℗ – Vitalturn Ltd.
- Phonographic Copyright ℗ – Stephen Morris
- Phonographic Copyright ℗ – Reelin' In The Years Productions, LLC
- Phonographic Copyright ℗ – Double 2 B.V. Productions
- Phonographic Copyright ℗ – Screenocean
- Phonographic Copyright ℗ – RPM Productions Ltd.
- Phonographic Copyright ℗ – Channel 4
- Phonographic Copyright ℗ – Dec Hickey
- Phonographic Copyright ℗ – Silent Partners
- Copyright © – Warner Music UK Ltd.
- Copyright © – BBC
- Pressed By – Optimal Media GmbH – BJ83598
- Published By – Universal Music Publishing Ltd.
- Published By – Atra Music Ltd.
- Published By – Downtown Music Publishing LLC
- Published By – Vitalturn Co Ltd.
- Recorded At – New Order Rehearsal Room
- Recorded At – Revolution Studios
- Produced At – Isonic
- Mixed At – Revolution Studios
- Mastered At – Abbey Road Studios
- Filmed At – The Hacienda
- Filmed At – Rosehill Hotel, Kilkenny
- Filmed At – Recreation Centre, Tolworth
- Filmed At – Edgbaston Towers Ballroom
- Filmed At – First Avenue
- Filmed At – Mensa, Universität Düsseldorf
- Filmed At – Alabamahalle
- Filmed At – Metropol, Berlin
Credits
- Art Direction [Art Director] – Warren Jackson (3)
- Band [New Order] – Stephen Morris
- Booklet Editor [Box Set Sub-editor] – Lee Gale
- Compiled By – James Zeiter* (tracks: DVD1-1 to DVD1-36, DVD2-1 to DVD2-16)
- Consultant [Box Set Archive Consultant] – James Zeiter*
- Consultant [Box Set], Curated By [Box Set Curator] – Abigail Ward
- Creative Director [Box Set] – Howard Wakefield
- Design [Original Artwork] – Peter Saville Associates
- Engineer – Michael Johnson (tracks: A1 to B4, CD1-1 to CD1-8, CD2-17)
- Engineer [Assistant] – Mark Boyne (tracks: A1 to B4, CD1-1 to CD1-8, CD2-17)
- Interviewer [Box Set Archive Interview] – Mick Middles
- Lacquer Cut By – F.A.* (tracks: A1 to B4)
- Liner Notes [Box Set Writer] – Dave Simpson (3)
- Management – Rebecca Boulton
- Mixed By – Danny Davies (tracks: CD2-1 to CD2-6, CD2-13 to CD2-16)
- Painting ['A Basket Of Roses'] – Henri Fantin-Latour
- Photography By [Original Artwork] – Trevor Key
- Producer – New Order (tracks: A1 to B4, CD1-1 to CD1-8, CD2-7 to CD2-10, CD2-17)
- Producer [DVD Produced By] – Ray Shulman (tracks: DVD1-1 to DVD1-36, DVD2-1 to DVD2-16)
- Recorded By – Peter Hook (tracks: CD2-1 to CD2-6, CD2-13 to CD2-16)
- Written-By – New Order (tracks: A1 to B4, CD1-1 to CD1-8, CD2-1 to CD2-11, CD2-14 to CD2-17, DVD1-2 to DVD1-15, DVD1-17 to DVD1-19, DVD1-21, DVD1-23, DVD1-24, DVD1-26 to DVD1-29, DVD1-31, DVD1-32, DVD1-34, DVD1-35, DVD2-1 to DVD2-7, DVD2-9, DVD2-12)
Notes
Lift off lid embossed box including the vinyl LP in its original sleeve, original album CD in replica mini album sleeve, a bonus CD of previously unreleased tracks, two DVDs of live shows and TV appearances plus a 48 page hardbound book.
Some copies come with an additional dark red "band" surrounding the box displaying the BBFC's Video Packaging Review Committee (VPRC) rating of 15 "Nudity & strong language". Whether the band was included depended on the outlet. For example, the official New Order store copies did not - at least initially - come with this band. The content of the box-set is otherwise identical.
℗ 2020 The copyright in this audio and audio visual compilation is owned by Warner Music UK Limited. © 2020 Warner Music UK Limited. Made in the E.U.
_
CD2:
℗ 2020 Warner Music UK Ltd. except tracks 7-10 ℗ 2020 BBC. Courtesy of BBC Studios.
© 2020 Warner Music UK Ltd.
1-6, 13-16
Writing Session Recordings
Recorded at New Order Rehearsal Room, Cheetham Hill, Manchester 1982 & 1983.
7-10
BBC Radio John Peel Session
Broadcast on 1st June 1982.
Recorded and mixed at Revolution Studios, Cheadle, Stockport. May 1982.
11 is labelled a John Peel Session out-take, May 1982.
12 & 13 are dated 1983.
17 is dated January 1983.
_
DVD1:
Region 0, Aspect ratio 4:3, Audio Mono & Stereo Dolby Digital, (Duration - 2:38:23 approx.)
1-10 The Haçienda, Manchester 1982
Recorded on 26th June
℗ 1982 Vitalturn Ltd.
11-20
Rosehill Hotel, Kilkenny, Ireland 1983
Recorded on 24th April
30
℗ 1983 Stephen Morris
32-36
℗ 1984 Stephen Morris
21 & 25
℗ 2020 BBC Licensed courtesy of BBC Studios © 2020
22
℗ 1983 Reelin' In The Years Productions and Double 2 BV.
23 & 24
℗ 1983 Screenocean/RPM Productions/Channel 4/Silent Partners
28 & 29
Recreation Centre, Tolworth 1983
℗ 1983 Stephen Morris and Dec Hickey
All other chapters: © 1983 Warner Music UK Limited.
The following are presented in Mono:
21: Blue Monday (BBC Top Of The Pops, London 1983)
22: Confusion (Countdown 1983)
23: Age Of Consent (Switch 1983)
24: Blue Monday (Switch 1983)
25: Thieves Like Us (BBC Top Of The Pops 1984)
26: Your Silent Face (The Haçienda, Manchester)
27: 5 8 6 (The Hacienda, Manchester)
31: Ultraviolence (First Avenue, Minneapolis 1983)
_
DVD2:
Region 0, Aspect ratio 4:3, Audio Mono & Stereo Dolby Digital (Duration 2:33:15 approx.)
1-12
The Haçienda, Manchester 1983
Recorded on 20th July
℗ 1983 Screenocean/RPM Productions/Channel 4/Silent Partners
13-15
Play At Home, Channel 4 1984
℗ 1984 Screenocean/RPM Productions/Channel 4/Silent Partners
16 is a "hidden" chapter not listed on the main menu. It is "Primitive 5 8 6" as featured on A Factory Video.
_
All songs (Keith Hudson published by Atra Music Ltd.
Some copies come with an additional dark red "band" surrounding the box displaying the BBFC's Video Packaging Review Committee (VPRC) rating of 15 "Nudity & strong language". Whether the band was included depended on the outlet. For example, the official New Order store copies did not - at least initially - come with this band. The content of the box-set is otherwise identical.
℗ 2020 The copyright in this audio and audio visual compilation is owned by Warner Music UK Limited. © 2020 Warner Music UK Limited. Made in the E.U.
_
CD2:
℗ 2020 Warner Music UK Ltd. except tracks 7-10 ℗ 2020 BBC. Courtesy of BBC Studios.
© 2020 Warner Music UK Ltd.
1-6, 13-16
Writing Session Recordings
Recorded at New Order Rehearsal Room, Cheetham Hill, Manchester 1982 & 1983.
7-10
BBC Radio John Peel Session
Broadcast on 1st June 1982.
Recorded and mixed at Revolution Studios, Cheadle, Stockport. May 1982.
11 is labelled a John Peel Session out-take, May 1982.
12 & 13 are dated 1983.
17 is dated January 1983.
_
DVD1:
Region 0, Aspect ratio 4:3, Audio Mono & Stereo Dolby Digital, (Duration - 2:38:23 approx.)
1-10 The Haçienda, Manchester 1982
Recorded on 26th June
℗ 1982 Vitalturn Ltd.
11-20
Rosehill Hotel, Kilkenny, Ireland 1983
Recorded on 24th April
30
℗ 1983 Stephen Morris
32-36
℗ 1984 Stephen Morris
21 & 25
℗ 2020 BBC Licensed courtesy of BBC Studios © 2020
22
℗ 1983 Reelin' In The Years Productions and Double 2 BV.
23 & 24
℗ 1983 Screenocean/RPM Productions/Channel 4/Silent Partners
28 & 29
Recreation Centre, Tolworth 1983
℗ 1983 Stephen Morris and Dec Hickey
All other chapters: © 1983 Warner Music UK Limited.
The following are presented in Mono:
21: Blue Monday (BBC Top Of The Pops, London 1983)
22: Confusion (Countdown 1983)
23: Age Of Consent (Switch 1983)
24: Blue Monday (Switch 1983)
25: Thieves Like Us (BBC Top Of The Pops 1984)
26: Your Silent Face (The Haçienda, Manchester)
27: 5 8 6 (The Hacienda, Manchester)
31: Ultraviolence (First Avenue, Minneapolis 1983)
_
DVD2:
Region 0, Aspect ratio 4:3, Audio Mono & Stereo Dolby Digital (Duration 2:33:15 approx.)
1-12
The Haçienda, Manchester 1983
Recorded on 20th July
℗ 1983 Screenocean/RPM Productions/Channel 4/Silent Partners
13-15
Play At Home, Channel 4 1984
℗ 1984 Screenocean/RPM Productions/Channel 4/Silent Partners
16 is a "hidden" chapter not listed on the main menu. It is "Primitive 5 8 6" as featured on A Factory Video.
_
All songs (Keith Hudson published by Atra Music Ltd.
Barcode and Other Identifiers
- Barcode (Box Insert - Text): 0 190295 659158
- Barcode (Box Insert - Scanned): 190295659158
- Label Code: LC14666
- Matrix / Runout (A): BJ83598-01 A2 0190295420307
- Matrix / Runout (B): BJ83598-01 B2 0190295420307 F.A.
- Matrix / Runout (CD1): 0190295420314 AK11238-01 manufactured by optimal media GmbH IFPI L576
- Matrix / Runout (CD2): 0190295659202 AK11240-01 manufactured by optimal media GmbH IFPI L576
- Matrix / Runout (DVD1): 0190295659189-01 DK08449-01 manufactured by optimal media GmbH [R logo] IFPI L576
- Matrix / Runout (DVD1 - inner ring): IFPI L578 DK08449-01_L1
- Matrix / Runout (DVD2): 0190295659189-02 DK08450-01 manufactured by optimal media GmbH [R logo] IFPI L578
- Matrix / Runout (DVD2 - inner ring): IFPI L578 DK08450-01_L1
- Mastering SID Code (CD1 & CD2): IFPI L576
- Mastering SID Code (DVD1 & DVD2): IFPI L578
- Mould SID Code (CD1 & CD2): IFPI 9755
- Mould SID Code (DVD1 & DVD2): IFPI 9747
- Other (A & B - spine catalogue number): FACT SEVENTY FIVE
- Other (A & B label inner text ring catalogue number): FACT·75
- Other (A & B label outer text ring catalogue number): 0825646253043
- Other (CD1 - spine catalogue number): FACD SEVENTY FIVE
- Other (CD1 - disc face outer text ring catalogue number): 0190295420314
- Other (CD1 - disc face inner text ring catalogue number): FACD·75
- Other (CD2 - spine catalogue number): 0190295659202
- Other (DVD1 & DVD2 - spine catalogue number): 0190295659189
Other Versions (5 of 162)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Power, Corruption & Lies (LP, Album, Stereo) | Factory | FACT 75 | UK | 1983 | |||
| Power, Corruption & Lies (Cassette, Album, CrO2) | Factory (US) | Factus 12C, Factus 12 C | US | 1983 | |||
| Power, Corruption & Lies (LP, Album) | Factory | FACT 75, VR 22569 | Netherlands | 1983 | |||
| Power, Corruption & Lies (LP, Album) | Factory (US) | FACTUS 12 | US | 1983 | |||
| Power, Corruption And Lies (LP, Album, Black Labels) | Factory | FACD 11 | Canada | 1983 |
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Reviews
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Edited 2 years agoI've bought a Copy a few days ago Incl. the OBI. The Vinyl was interesting. Flat perfect without pops and clicks but with many "micro - warps". The needle jumps like a car on cobblestones. Stay in line but looks not healthy for the needle. So i send it back for replacement and still waiting for it. The die-cut underneath the colourbar on the back was off-centred too.
So replacement arrived and this time the Vinyl doesn't have these "micro-warps" and sounds perfect. Okay, a little bit warped too but i will have it fixed by a professionell disc flattening company with vinyl washing after flattening process. So i saved a few vinyls and my nerves in the past too. Okay i must pay a few bucks/€ more.
Aah, the cover is off-centred again. I think many of the owners with such a die-cut off-centred haven't recognise this. It is not so apparently. -
Edited 2 years agoThe CD in this box shows the progression of loud masterings.
Original CD = DR 14
2008 CD = DR 11
DE Box CD = DR 9
Why? Why? Why?
Sorry, but not "Definitive"
-
-
Anyone notice a bit of harshness in the vocals in both 586/ Leave me Alone? Running a newish microline stylus on my Technics so I'd be very surprised if it's my setup. Not a deal-breaker, but had this issue on same songs with my well played original so a bit annoying.
Don't have this issue on the CD -
A couple of details that stop this from being a perfect package. On the reverse of the cover of the vinyl album, the die-cut is off-centred (at least on my copy) – the die-cut should be centred on the colour-coded circle as on the original Factory issue. On the front cover of the CD, the colour coded strip is too big – the coloured squares should be the same width as the strip on the inner sleeve to visually connect them. -
What does the 15 mean ? Parental advisory under fifteen or something ? DVD are region free mehopes ? -
On CD2 all tracks are instrumental, except for the 4 Peel tracks which were previous available elsewhere.
Track CD2-17 (Blue Monday -Instrumental outtake) is actually just 'The Beach'.
All in all a bit disappointing. -
Great set but the record came very dusty. Made first listen not particularly enjoyable but I'm sure with some cleaning it would sound fine -
Got mine from amazon UK and it has the red OBI. Lovely set, but the labels on PCL vinyl are wrong: Side 1 on both sides (altho' the music is correct). This is after getting it from New Order Store with the 4 x 12", which was delivered with mashed corners; then AGAIN with mashed corners. Christ, who'd buy online really. It's a lottery.
-
A couple of notes on this:
- Is it just me or does Your Silent Face kinda slow down at the end (CD)?
- Sounds like a bit of over-re-mastering on Leave Me Alone...much higher vocals.
- I bought the Super Deluxe edition with the singles from New Order store, and as I own the original Blue Monday 12", I have to say that this remastered one may weigh more, but it's already got pops that are fairly annoying for something so pricey. And I cry HUGE foul on including a QR code on the colour code part of the sleeve...WTAF?!
Otherwise, the book is great, but not nearly as insightful as Hooky's books. It might have been nice to have a bit of banter about why Murder wasn't included as the b-side to Blue Monday (the aforementioned version I own has messages on the run-off: A - "Where's Murder?", B - "I said, where's Murder?").
One can only hope that after they're done counting the money, they can give it all a listen themselves and realise what they've thrown away in the last decade. Honouring such an important legacy as theirs shouldn't be that hard, you just gotta bury the hatchet and move forward. They were godlike.
I may post more once I've gone through the rest of the material, but originally just came here looking to see if anyone else spotted some of the audio issues.
Release
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