Animal Collective – Merriweather Post Pavilion
Label: |
Domino – WIGCD216 |
---|---|
Format: |
CD
, Album
|
Country: |
UK & Europe |
Released: |
|
Genre: |
Pop |
Style: |
Psychedelic Rock |
Tracklist
1 | In The Flowers | 5:22 | |
2 | My Girls | 5:41 | |
3 | Also Frightened | 5:14 | |
4 | Summertime Clothes | 4:30 | |
5 | Daily Routine | 5:46 | |
6 | Bluish | 5:14 | |
7 | Guys Eyes | 4:31 | |
8 | Taste | 3:53 | |
9 | Lion In A Coma | 4:12 | |
10 | No More Runnin | 4:23 | |
11 | Brother Sport | 5:59 |
Companies, etc.
- Manufactured By – Sound Performance
- Phonographic Copyright ℗ – Domino Recording Co. Ltd.
- Copyright © – Domino Recording Co. Ltd.
- Copyright © – David Doubilet
- Copyright © – Akiyoshi Kitaoka
- Copyright © – Kanzen
- Published By – Rough Trade Publishing
- Published By – M.E.L.T. 2000
- Designed At – SEEN
Credits
- Artwork [Cover Image Pattern] – Akiyoshi Kitaoka
- Artwork [Interior Image "Devil's Eye Spring"] – Undersea Images Inc.
- Design, Layout – Rob Carmichael (2)
- Mixed By – Ben Allen*
- Recorded By – Ben Allen*
- Recorded By [Assistant] – Aaron Ersoy
- Songwriter [All Songs Written By] – Animal Collective
- Written-By – Lathozi Mpahleni Manquin Madosini* (tracks: 9)
Notes
℗ + © 2009 Domino Recording Co. Ltd. Made in the E.U.
All songs published by Rough Trade Publishing except "Lion in A Coma" by Rough Trade Publishing/Melt 2000
Jaw harp sample in 'Lion In A Coma' is taken from the recording 'Yitileni' by Madosini, the mother of traditional African tales and legends, from the album 'Power To The Women', courtesy of Melt 2000, South Africa.
Interior image "Devil's Eye Spring" © 2006 David Doubilet
Cover image pattern courtesy of Akiyoshi Kitaoka © 2007 Akiyoshi Kitaoka [misspelled Akiyoski Kitaoka] © 2007 Kanzen
The CD comes in gatefold cardboard cover housed in a cardboard envelope. Barcode sticker with cat# and copyright holder plus label code on front.
All songs published by Rough Trade Publishing except "Lion in A Coma" by Rough Trade Publishing/Melt 2000
Jaw harp sample in 'Lion In A Coma' is taken from the recording 'Yitileni' by Madosini, the mother of traditional African tales and legends, from the album 'Power To The Women', courtesy of Melt 2000, South Africa.
Interior image "Devil's Eye Spring" © 2006 David Doubilet
Cover image pattern courtesy of Akiyoshi Kitaoka © 2007 Akiyoshi Kitaoka [misspelled Akiyoski Kitaoka] © 2007 Kanzen
The CD comes in gatefold cardboard cover housed in a cardboard envelope. Barcode sticker with cat# and copyright holder plus label code on front.
Barcode and Other Identifiers
- Barcode (Scanned & text): 5034202021629
- Label Code: LC10192
- Matrix / Runout (Variants 1 to 7, 10, 11): [Sound Performance logo] 020 8691 2121 WIGCD216
- Matrix / Runout (Variants 8, 9): [Sound Performance logo] 0208 691 2121 WIGCD216
- Mastering SID Code (Variant 1): IFPI LT23
- Mould SID Code (Variant 1): IFPI 5H 42
- Mastering SID Code (Variant 2): IFPI LP76
- Mould SID Code (Variant 2): IFPI 7308
- Mastering SID Code (Variant 3): IFPI LP76
- Mould SID Code (Variant 3): none
- Mastering SID Code (Variant 4): IFPI LP76
- Mould SID Code (Variant 4): IFPI 7306
- Mastering SID Code (Variant 5): IFPI LP76
- Mould SID Code (Variant 5 - mirrored): IFPI 7303
- Mastering SID Code (Variant 6): IFPI LT23
- Mould SID Code (Variant 6 - mirrored): IFPI 7321
- Mastering SID Code (Variant 7): IFPI LP76
- Mould SID Code (Variant 7): IFPI AAHY2
- Mastering SID Code (Variant 8): IFPI LT23
- Mould SID Code (Variant 8): IFPI AAHY2
- Mastering SID Code (Variant 9): IFPI LT23
- Mould SID Code (Variant 9): IFPI 5H 42
- Mastering SID Code (Variant 10): IFPI LP76
- Mould SID Code (Variant 10): none
- Mastering SID Code (Variant 11): IFPI LP76
- Mould SID Code (Variant 11): IFPI 7303
Other Versions (5 of 27)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Merriweather Post Pavilion (CDr, Album, Copy Protected, Promo, Watermarked) | Domino | none | US | 2008 | ||
Recently Edited
|
Merriweather Post Pavilion (2×LP, Album, Deluxe Edition, 180 Gram) | Domino | DNO 219, DNO219 | US | 2009 | ||
Recently Edited
|
Merriweather Post Pavilion (2×LP, Album, Deluxe Edition, 180 gram) | Domino | WIGLP216 | UK & Europe | 2009 | ||
Recently Edited
|
Merriweather Post Pavilion (CD, Album) | Domino | DNO 219CD, DNO 219 | US | 2009 | ||
Recently Edited
|
Merriweather Post Pavilion (CD, Album, CD, Compilation, Limited Edition, Partially Unofficial, Cardboard Sleeve) | Rough Trade | WIGCD216, acrtmix1cd | UK | 2009 |
Recommendations
Reviews
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Edited 7 years agoMy copy matches this but with a mould SID code of IFPI AAHY2 (which is ridiculously hard to read)
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I've got a copy of this that is actually the album Rounds by Four Tet. Right packaging, codes, etc. just a totally different album. Anyone else heard of this? I can't be the only one, surely...
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This album is an unquestionable milestone for modern music. Panda Bear, Avey Tare, Geologist, and Deakin have flirted with pop sounds momentarily on previous releases, but the bulk of their past work leaves no doubt that they are far from playable on popular radio.
Merriweather Post Pavilion was anticipated with an almost unnatural fervor in the months after its release was announced. Animal Collective owe much of this popularity to the indie/experimental rock community, specifically on the internet in message boards and fansites, who hold them in high esteem. They've gained that recognition through a constant flow of solid albums, each of which has expanded on one of the most unique sounds in experimental music. Merriweather is yet another exploration of that easily recognizable yet enigmatic Collective sound; this time they've chosen what could most easily be referred to as a catchy, foot-tapping incarnation of it. Tracks like "My Girls" and "Brother Sport" keep anyone who may attempt to listen to this album ively in upright attention. What these songs provide is a clear example of what the Animal Collective sound is capable of; something far beyond the meandering freakouts of "Sung Tongs" or building epics found on "Feels". They've crafted experimental freak-folk that even the most devoted follower of Billboard's hot albums could enjoy, all while maintaining the touch of frantic harmony only this group can produce.
If newcomers arrive for "My Girls", they'll stay for the filler-less tracks that grace the rest of the record. Soft and emotional, "Bluish" is one of those can't-get-it-out-of-my-head songs. Fans of the Collective's past work will enjoy their trademark stretching and disintegration of a perfectly good hook in "Daily Routine", which slowly descends from a furious synth jam into a droning psych chillout. They again prove their ability to handle complex, beat-driven jams with "Summertime Clothes" and "Guys Eyes". To even out the pacing, "Taste" and "No More Runnin" blend swirling harmonies with appropriate laziness.
The surprise of finishing a listen to an album totally devoid of filler is especially pleasant knowing it was made by a group known for their tangential psych romps. What's even better is realizing that Animal Collective has succeeded in creating an album that simultaneously appeals to a wide audience and keeps its feet sturdily in the experimental realm. That's what makes it so important, if such a, for lack of a nicer word, strange group can flirt with radio airplay, there may exist some hope that the mainstream music world will recognize the presence of the countless indie artists deemed inappropriate for mass consumption. If more new albums are like Merriweather Post Pavilion, perhaps the indie revolution will extend beyond its currently meager borders.
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