VoïvodNothingface

Label:

Real Gone Music – RGM-1371

Format:

Vinyl , LP, Album, Record Store Day, Limited Edition, Reissue, Remastered , Pink/Blue Swirl

Country:

US

Released:

Genre:

Rock

Style:

Progressive Metal

Tracklist

A1 The Unknown Knows 5:50
A2 Nothingface 4:14
A3 Astronomy Domine
Written-BySyd Barrett
5:30
A4 Missing Sequences 5:44
B1 X-Ray Mirror 4:28
B2 Inner Combustion 3:46
B3 Pre-Ignition 5:10
B4 Into My Hypercube 5:03
B5 Sub-Effect 4:28

Companies, etc.

  • Phonographic Copyright ℗UMG Recordings, Inc.
  • Copyright ©UMG Recordings, Inc.
  • Licensed FromUniversal Music Enterprises
  • Manufactured ByReal Gone Music
  • Recorded AtStudio Victor
  • Mixed AtPower Play Studios
  • Lacquer Cut AtWell Made Music

Credits

  • A&R, Executive ProducerSteve Sinclair (2)
  • BassJean-Yves Thériault (Blacky)*
  • Concept By, Artwork ByAway
  • Design [Additional]Third Image
  • DrumsMichel Langevin (Away)*
  • GuitarDenis D'Amour (Piggy)*
  • Lacquer Cut Bymf*
  • Lyrics BySnake (6)
  • ManagementPierre Paradis
  • Mixed By [Assistant]Rob Sutton
  • Music ByPiggy
  • Photography By [Band Photography]Elisa Casas
  • Producer [Assistant], Engineer [Assistant], Mixed By [Assistant]Benöit Lavallée*
  • Producer, Engineer, Mixed ByGlen Robinson
  • Remastered ByPeter Moore
  • Vocals [Vox]Denis Belanger (Snake)*
  • Written-ByVoïvod (tracks: A1, A2, A4 to B5)

Notes

Record Store Day 2022 release.
Newly remastered for vinyl by Peter Moore. Pink and blue swirl vinyl. Limited to 6000 copies.
Plain white inner sleeve

Barcode and Other Identifiers

  • Barcode (Text): 8 48064 01371 6
  • Barcode (Scanned): 848064013716
  • Matrix / Runout (Side A ("WELL MADE MUSIC" stamped, everything else etched)): RGM1371-A WELL MADE MUSIC mf
  • Matrix / Runout (Side B ("WELL MADE MUSIC" stamped, everything else etched)): RGM1371-B WELL MADE MUSIC mf

Other Versions (5 of 50)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Nothingface (LP, Album) Noise International N 0142-1 1989
Nothingface (CD, Album) Mechanic Records MCAD-6326 US 1989
Nothingface (2×CD, Album) MCA Records MCAD-6326 US 1989
Recently Edited
Nothingface (CD, Album) Noise International N 0142-2 1989
Recently Edited
Nothingface (Cassette, Album, HQ, Dolby HX Pro) Mechanic Records MCAC-6326 US 1989

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Reviews

  • Red_Graves's avatar
    Red_Graves
    This pressing sounds like crap and the packaging is half-assed. Save your $$ and get an original pressing.
    • Contrarian_Ink's avatar
      Contrarian_Ink
      This album release is not to bad. I was anxiously awaiting a reissue of one of my favorite metal albums ever. It doesn't have the punch that the original cd had but then again it was in DDD best digital quality at the time and vinyl has its own essence that we love. The overall experience of the vinyl edition needs some tweaking of the EQ but the music is what I came for and I love it.
      • igotthesix's avatar
        igotthesix
        I had a rip of the 1989 original on my computer, and this sounds FAR better than that one.
        • capitaineboivin's avatar
          capitaineboivin
          My copy sounds like the spindle hole is off-centered, the pitch of the recording slightly goes up and down and it gets worse the closer you get to the end of each side. Same problem I have with my copy of https://discogs.desbloquearpagina.com/release/9152500-Blink-182-The-Mark-Tom-And-Travis-Show-The-Enema-Strikes-Back
          Anyone else?
          • AWarmCote's avatar
            AWarmCote
            To those wondering about this pressing, it was pressed at Citizen Vinyl in Asheville, North Carolina on a refurbished SMT. The company was and is still rather new at the time, and I was the only employee with any prior pressing experience working there at the time. There was a general strike around this time and a change of leadership and a nearly completely fresh production staff. I had a hell of a time stretching out what little swirl we had, and was dealing with a broken mould wedge that was repeatedly shredding bottom stampers. It was a rough run. also tbh, the cut wasn't all that fantastic anyway, and imo one should not expect colored vinyl to be perfect. either way I certainly hope no one got anything unlistenable or horrible.
            • Within_Your_Reach's avatar
              Pulled this out for a listen after listening it to it a few times last year. Here are my thoughts on this reissue:

              This record is cut really quiet. Any surface noise that may be on your copy is really going to be apparent. My copy only has a few ticks across both sides, but they seemed to have softened over each play. That said, this record sounds really great. Very dynamic, plenty of bass and the music is punchy. You gotta crank the volume up a fair amount, but otherwise no other issues I can hear or see while listening.

              Worthwhile reissue on very striking pink vinyl.
              • silentakeover's avatar
                silentakeover
                Real Gone Music should take a page out of the High Roller Records book - all of the HRR reissues are lavish and do the originals justice in of sound and appearance. Loads could have been included here - the original CD version of Nothingface (on Noise) had lyric sheets, a poster and a fold-out by Away for every song - all of this could have been utilised. Currently charged £32 on Amazon UK, this release isn't worth half that money. Pity for such a landmark album.
                • prankzaffa's avatar
                  prankzaffa
                  My copy has mostly pink with little blue, almost white swirls. Very flat disc which sounds great, no divots.
                  • David_D's avatar
                    David_D
                    Pink vinyl for this album...lol, and I wonder what they have been thinking?!
                    • dkeller's avatar
                      dkeller
                      mine is 99% pink with very little blue (more like white) flecks in the vinyl. only a few little divits as some have reported. Some have posted pics of a VERY marbled versions, I bought two and both are mostly pink. Any insight on where these more marbled versions may have come from? or what % of the 6000 were this different? Overall, sounds pretty good... but no vinyl will ever beat the digitally recorded album on cd.

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