George MichaelOlder

Label:

Aegean – 19439857091

Format:

2 x Vinyl , LP, Album, Reissue, Remastered, Stereo , 180g

Country:

Europe

Released:

Genre:

Pop

Style:

Vocal

Tracklist

A1 Jesus To A Child
Acoustic GuitarHugh Burns
Instruments [All Other Instruments]George Michael
6:50
A2 Fastlove
Backing Vocals [Forget Me Nots]Jo*
Engineer [Engineering]Ren Swan
KeyboardsJon Douglas
ProducerJon Douglas
SaxophoneAndy Hamilton (7)
5:24
A3 Older
Instruments [All Other Instruments]George Michael
Keyboards [String And Piano Keyboards]Chris Cameron
TrumpetSteve Sidwell
5:32
B1 Spinning The Wheel
Backing Vocals [Baby Loves]Jo*
EngineerRen Swan
GuitarAlan Ross (2)
KeyboardsGeorge Michael
Keyboards, Written-ByJon Douglas
SaxophoneChris Davis*
TromboneFayyaz Virji
Trumpet, FlugelhornStuart Brooks
6:21
B2 It Doesn't Really Matter
Instruments [All Instruments]George Michael
4:49
B3 The Strangest Thing
Instruments [All Instruments]George Michael
6:00
C1 To Be Forgiven
GuitarDanny Jacobs
Instruments [All Other Instruments]George Michael
5:21
C2 Move On
Instruments [All Instruments]George Michael
4:45
C3 Star People
Backing Vocals [Chorus Vocals]Jo*
Electric Piano [Rhodes Piano]Chris Cameron
Instruments [All Other Instruments]George Michael
5:15
D1 You Have Been Loved
Bass Guitar, DrumsGeorge Michael
Guitar [Guitars]John Themis
KeyboardsChris Cameron
Keyboards, Written-ByDavid Austin
5:27
D2 Free
Instruments [All Other Instruments]George Michael
StringsChris Cameron
2:59

Companies, etc.

  • Phonographic Copyright ℗Robobuild Ltd.
  • Licensed ToSony Music Entertainment UK Limited
  • Copyright ©Sony Music Entertainment UK Limited
  • Distributed BySony Music Entertainment
  • Published ByWarner Chappell Music
  • Mastered AtMetropolis Studios
  • Remastered AtAir Studios
  • Pressed ByOptimal Media GmbH – BL46345
  • Record CompanySony Music Entertainment International Services GmbH

Credits

  • Design [Additional]Johnathan Elliott*
  • Design [Sleeve Designed By]Simon Halfon
  • Engineer [Engineering]Ben Swan* (tracks: A2, B1)
  • Engineer [Rolling]Andreas Georgiou*
  • Engineer [Studio Assistant]Niall Flynn
  • Executive-ProducerDavid Austin
  • Photography By [Back And Inner Sleeve]Eugene Adebari
  • Photography By [Front Cover]Brad Branson
  • Programmed By [Programming]Steve McNichol (tracks: A3, B1, B2, C2, C3, D2)
  • Remastered ByJohn Webber
  • Written-By, Arranged By, Producer [Produced By]George Michael

Notes

℗ 1996 Robobuild Ltd.
© 1996, 2021 Sony Music Entertainment UK Limited

This album is dedicated to Antonio Carlos Jobim, who changed the way I listen to music, and to Anselmo Feleppa, who changed the way I look at my life. May they rest in peace.
Thank you for waiting

Original mastering at Metropolis Studios, London.
Re-mastered by John Webber and David Austin at Air Studios, London.

Original release date September 16th was last-minute postponed to September 30, because of Queen Elizabeth ing in UK. However, some sellers made it available Sep.16, because they already had the album in stock.

Engineer Ren Swan is misspelled as Ben Swan.
Additional Design Jonathan Elliott is misspelled as Johnathan Elliott.

A2 - reference to Freddie Washington © 1981

Runouts are etched.
The extra symbols behind A1, B1, C1, D1 are often mirrored in the runouts.

19439857091/B labelnumber on spine and back sleeve.
19439857091 labelnumber on label.

Barcode and Other Identifiers

  • Barcode (Text): 1 94398 57091 4
  • Barcode (Scanned): 194398570914
  • Label Code: LC12723
  • Rights Society: BIEM/GEMA
  • Matrix / Runout (Side A runout, variant 1): L8 BL46345-0A A1
  • Matrix / Runout (Side B runout, variant 1): X=S BL46345-0A B1
  • Matrix / Runout (Side C runout, variant 1): L+B BL46345-02 C1
  • Matrix / Runout (Side D runout, variant 1): S=X BL46345-02 D1
  • Matrix / Runout (Side A runout, variant 2): BL46345-01 A1 1S
  • Matrix / Runout (Side B runout, variant 2): BL46345-01 B1 XS
  • Matrix / Runout (Side C runout, variant 2): BL46345-02 C1
  • Matrix / Runout (Side D runout, variant 2): BL46345-02 D1 VIX
  • Matrix / Runout (Side A runout, variant 3): VI BL46345-01 A1
  • Matrix / Runout (Side B runout, variant 3): 5IV BL46345-01 B1
  • Matrix / Runout (Side C runout, variant 3): 3+X BL46345-02 C1
  • Matrix / Runout (Side D runout, variant 3): T=6 BL 46345-02 D1

Other Versions (5 of 140)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Older (CD, Album) Aegean DRMD - 50000 US 1996
Older (CD, Album) Aegean 7243 8 41392 2 3, CDV2802 Europe 1996
Recently Edited
Older (Cassette, Album) Aegean 7243 8 41392 4 7, TCV 2802 Europe 1996
Recently Edited
Older (LP, Album) Aegean V 2802, 7243 8 41392 1 6 Europe 1996
Recently Edited
Older (CD, Album) Virgin 8 41392 2, 368 841392 2 Brazil 1996

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Reviews

  • edoll's avatar
    edoll
    Sounds pretty good, soundstage maybe it could be a little bit more wider but it's ok. Very quiet pressing, perhaps with a low output volume but nothing really important. Smooth mastering, it's a great record and great version. Go for it.
    • SONDEKNZ's avatar
      SONDEKNZ
      Edited 4 months ago
      GEORGE MICHAEL | OLDER (1996) SONY MUSIC 19439857091 (2021 Remaster): EU pressing featuring gatefold sleeve. This would be one of the quietest pressings we own. The remastering is highly successful and makes the (still) excellent original digital lossless file version sound a bit brash and shouty by comparison, if slightly more vivid. This beautifully remastered LP version provides for a more spacious and natural sound, which is almost like discovering Michael's masterpiece afresh. I'm so glad that I made the investment to buy this remastered 02xLP version and feel that it offers the more analog-sounding perspective that most audiophiles crave. Worth the price of ission for "You Have Been Loved" alone, IMHO. Grab a MINT copy while you still can! - SONDEKNZ
      • HugoLRD's avatar
        HugoLRD
        Well, I don't have the CD but I'm very happy with my copy. It's very quiet, vocals are clear, bass is nice and deep. I think the mastering does justice to the style and atmosphere of the album and it's a delight to spin. Maybe I would find it disappointing too if I owned another format or an original, but for those like me who don't, I'd say give it a go.
        • soymartin07's avatar
          soymartin07
          I found this on soundonsound.com:
          The recording of Michael's new album began on his own Mitsubishi X850 32‑track digital machine which, due to its reliance on regular servicing and tendency to emit strange noises, was beginning to wear the patience of the studio team. It was clearly time for a change and when good reports were received of Chris Porter's purchase of the Otari RADAR hard disk recorder, the team were keen to try out a system.
          "Stirling Audio lent us one 24‑track RADAR for three weeks and we slaved it to the 32‑track machine. We found that there were certain aspects of the system that proved invaluable and, compared to the Mitsubishi's somewhat harsh sound, the RADAR's playback response is very faithful to what is recorded. So when it came to the end of the loan period, I said to George that it would be great if we could have one. He replied that we should have two! So that was when we stopped using the Mitsubishi, and we transferred everything onto the two RADARs."
          • kodel's avatar
            kodel
            My pressing is not very good (repeating noise figures between the songs), but this might be only my particular copy. I absolutely agree what was written below regarding the sound - it is OK, not great. In many cases, vinyl recording has benefits over the CD versions, especially in of better dynamics of masterings (not enough space on the vinyl disc for loudness wars...). But this is not the case here. My original CD sounds better, more balanced and dynamic.
            • weaver1980's avatar
              weaver1980
              It's interesting how one record can split opinion on it's quality like this one has. In my opinion, this pressing sounds great. Lots of detail and dead quiet where it should be. I'm very happy with it!
              • statikman's avatar
                statikman
                Firstly, like all of us, I love this album. We play George in our house and business every day.

                I finally sat down with this and am listening on headphones. There is no depth and width to this mastering. So little bottom end, it's wild. Fast Love is totally lacking in that dance floor bass that's on the CD.
                Mids are there, but not in the lower
                Vocals are thin, highs are nice and crystalline.

                The pressing is good, but this deserved much better mastering given the wait. Also, the estate printed way too many of these. A repress was clamoured over loudly by hardcore fans and I think they overestimated how many true fans were also record collectors. It wasn't a great seller because of this, and I fear that might stop future releases. We need Unplugged, Songs, and Symphonica.
                • MusicToMakeOutTo's avatar
                  Purchased mid-2023 from Amazon - Not joking when I say this is one of the better sounding LPs in my collection - Jesus to a Child is Absolutely STUNNING. Phenomenal soundstage; hearing detail you just wouldn't get streaming or on CD. Recommended!

                  (Garrard 301/SME V/Ortofon Black)
                  • stepan.reznikov's avatar
                    stepan.reznikov
                    My copy looks identical to this one, but I also have 3 inserts with photo prints of George Michael. These are not mentioned here in the description, also not listed in the images of the release. So I'm wondering if anyone has the inserts as well? Or is it maybe a slightly different release I'm not aware of?
                    • boolz's avatar
                      boolz
                      Sounds good, not great. I didn't pick up much separation or depth. I cleaned it well, removed static, using high-end equipment + headphones... Still nada

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