Shackleton – Fabric 55
Label: |
Fabric (2) – fabric 109 |
|---|---|
Series: |
Fabric (3) – 55 |
Format: |
CD
, Mixed
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Dubstep |
Tracklist
| 1 | Shackleton– | Come Up | 4:45 |
| 2 | Shackleton– | Moon Over Joseph's Burial | 0:57 |
| 3 | Shackleton– | Hypno Angel | 2:51 |
| 4 | Shackleton– | Visontele | 2:22 |
| 5 | Shackleton– | Interlude: Blood Rhythm With Wishy Drones | 2:22 |
| 6 | Shackleton– | Operatic Waves | 2:22 |
| 7 | Shackleton– | Closeness To Nature | 2:51 |
| 8 | Shackleton– | Negative Thoughts | 3:13 |
| 9 | Vengeance Tenfold– | Death Is Not Final | 2:58 |
| 10 | Shackleton– | International Fires | 4:34 |
| 11 | Shackleton– | Paper | 1:50 |
| 12 | Shackleton– | Dean | 5:02 |
| 13 | Shackleton– | Interlude: Point One, Sense It | 1:24 |
| 14 | Shackleton– | Man On A String (Part 1) | 4:30 |
| 15 | Shackleton– | Man On A String (Part 2) | 6:10 |
| 16 | Shackleton– | Ice | 2:18 |
| 17 | Shackleton– | Busted Spirit | 4:34 |
| 18 | Shackleton– | Bottles | 5:57 |
| 19 | Shackleton– | New Dawn | 4:02 |
| 20 | Shackleton– | Something Has Got To Give | 0:55 |
| 21 | Shackleton– | Massacre | 5:02 |
| 22 | Shackleton– | Stripped | 3:29 |
Companies, etc.
- Glass Mastered At – Sony DADC, Southwater
Credits
- DJ Mix – Shackleton
- Mastered By, Other [Valuable Artistic Input] – Rashad Becker
- Producer, Written-By – Sam Shackleton*
Notes
All tracks are exclusive versions for this mix.
Tracks 1, 4, 5 to 7, 10, 12, 13, 16 to 18 & 22 are previously unreleased.
Track 1 - Copyright Control. ℗ 2010.
Track 2 - Copyright Control. ℗ 2009 Perlon.
Track 3 - Copyright Control. ℗ 2006 Skull Disco.
Track 4 - Copyright Control. ℗ 2010.
Track 5 - Copyright Control. ℗ 2010.
Track 6 - Copyright Control. ℗ 2010.
Track 7 - Copyright Control. ℗ 2010.
Track 8 - Copyright Control. ℗ 2009 Perlon.
Track 9 - Copyright Control. ℗ 2008 Skull Disco.
Track 10 - Copyright Control. ℗ 2010.
Track 11 - Copyright Control. ℗ 2010 Perlon.
Track 12 - Copyright Control. ℗ 2010.
Track 13 - Copyright Control. ℗ 2010.
Track 14 - Copyright Control. ℗ 2010 Woe To The Septic Heart.
Track 15 - Copyright Control. ℗ 2010 Woe To The Septic Heart.
Track 16 - Copyright Control. ℗ 2010.
Track 17 - Copyright Control. ℗ 2010.
Track 18 - Copyright Control. ℗ 2010.
Track 19 - Copyright Control. ℗ 2006 Skull Disco/Hotflush.
Track 20 - Copyright Control. ℗ 2009 Perlon.
Track 21 - Copyright Control. ℗ 2006 Skull Disco/Hotflush.
Track 22 - Copyright Control. ℗ 2010.
In metal tin with die cut inserts with card slip case.
℗ & © 2010 fabric records. The copyright in this sound recording and artwork is owned by fabric records.
Made in Europe.
Tracks 1, 4, 5 to 7, 10, 12, 13, 16 to 18 & 22 are previously unreleased.
Track 1 - Copyright Control. ℗ 2010.
Track 2 - Copyright Control. ℗ 2009 Perlon.
Track 3 - Copyright Control. ℗ 2006 Skull Disco.
Track 4 - Copyright Control. ℗ 2010.
Track 5 - Copyright Control. ℗ 2010.
Track 6 - Copyright Control. ℗ 2010.
Track 7 - Copyright Control. ℗ 2010.
Track 8 - Copyright Control. ℗ 2009 Perlon.
Track 9 - Copyright Control. ℗ 2008 Skull Disco.
Track 10 - Copyright Control. ℗ 2010.
Track 11 - Copyright Control. ℗ 2010 Perlon.
Track 12 - Copyright Control. ℗ 2010.
Track 13 - Copyright Control. ℗ 2010.
Track 14 - Copyright Control. ℗ 2010 Woe To The Septic Heart.
Track 15 - Copyright Control. ℗ 2010 Woe To The Septic Heart.
Track 16 - Copyright Control. ℗ 2010.
Track 17 - Copyright Control. ℗ 2010.
Track 18 - Copyright Control. ℗ 2010.
Track 19 - Copyright Control. ℗ 2006 Skull Disco/Hotflush.
Track 20 - Copyright Control. ℗ 2009 Perlon.
Track 21 - Copyright Control. ℗ 2006 Skull Disco/Hotflush.
Track 22 - Copyright Control. ℗ 2010.
In metal tin with die cut inserts with card slip case.
℗ & © 2010 fabric records. The copyright in this sound recording and artwork is owned by fabric records.
Made in Europe.
Barcode and Other Identifiers
- Barcode: 0 802560 010921
- Rights Society: MS
- Matrix / Runout (Variant 1): FABRIC109 01
- Mastering SID Code (Variant 1): IFPI LY33
- Mould SID Code (Variant 1): IFPI AEW36
- Matrix / Runout (Variant 2): Sony DADC FABRIC109 01
- Mastering SID Code (Variant 2): IFPI LY33
- Mould SID Code (Variant 2): IFPI AEW43
Other Versions (2)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Fabric 55 (File, MP3, Compilation, Mixed) | Fabric (2) | FABRIC109D | UK | 2010 | ||
|
New Submission
|
Fabric 55 (CDr, Album, Mixed) | Fabric (2) | fabric109p | UK | 2010 |
Recommendations
Reviews
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I'm still listening to this mix 15 years later. This is one of the first Shackleton releases I discovered at the time, and I've never found or heard something similar since then. As oboema said here in the previous comments in 2022, it also took me years to fully appreciate it. I now consider it a masterpiece mix <3 -
i keep coming back to this mix when i need something different in electronic music. simply incredible. nothing else like it. really transports you to somewhere else alien and foreign. -
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this one is dope! a pearl of the fabric output. this is not conventional dubstep and it sounds like no other album i know. imagine robert henke goes back to the 80s and record toegether with early 23 skidoo...or a jungle tribe with a laptop with ableton live. tribal percussion, processed voices and electronica melts toegether to a hypnotic trip perfect for a car ride at night or listening on good headphones, with some psychoactives, if you like. not so much for dancing, but some people might feel different about that. great stuff! -
Extraordinary night music. Call it whatever you like just not dupstep pleeeaaassseeee. Creepy gripping and unexpected beats and cellos synths treated voices and Tom Tom's all converging to take you on a deep dark ride through the night to a party unlike any other. Highly recommended.
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Defies all explanation. Meant for focused listening. Deep, aware, intellectual bass music. Tribal and primitive - but authentically so, not simply copping tribal tropes. An utterly unique album.
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Genre-defying. Shackleton isn't dubstep, and he's not techno either. He's dark, tribal, percussive beats that can't be categorized. As danceable as it is philosophical, this is one of the Fabric mixes you don't want to miss.
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This is hands down the best dubstep mix CD there is. Shackleton's brilliant compilation of Skull Disco and unreleased material shows what dubstep really is: dark, moody and melodic.
How about that percussion in the first track? I knew this was a going to be a ripper in the first minute, unbelievably good..
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