Phil Collins – Testify
Label: |
Face Value Records – 0927-49273-2 |
---|---|
Format: |
CD
, Album, Copy Protected
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Synth-pop |
Tracklist
1 | Wake Up Call | 5:16 | |
2 | Come With Me | 4:34 | |
3 | Testify | 6:32 | |
4 | Don't Get Me Started | 4:41 | |
5 | Swing Low | 5:08 | |
6 | It's Not Too Late | 4:00 | |
7 | This Love This Heart | 4:05 | |
8 | Driving Me Crazy | 4:38 | |
9 | The Least You Can Do | 4:22 | |
10 | Can't Stop Loving You | 4:17 | |
11 | Thru My Eyes | 5:07 | |
12 | You Touch My Heart | 4:43 |
Companies, etc.
- Phonographic Copyright ℗ – Philip Collins Ltd.
- Copyright © – Atlantic Recording Corporation
- Copyright © – WEA International Inc.
- Licensed To – Atlantic Recording Corporation
- Licensed To – WEA International Inc.
- Made By – Warner Music Manufacturing Europe
- Pressed By – WMME Alsdorf
- Published By – Philip Collins Ltd.
- Published By – Hit & Run Music (Publishing) Ltd.
- Published By – EMI Music Publishing Ltd.
Credits
- Artwork – M4Design*
- Engineer – Allen Sides
- Engineer [Assistant] – René Weis
- Engineer [Protools] – Doug McKean
- Instruments [All, Except Where Stated] – P.C.*
- Mastered By – Bernie Grundman
- Mixed By – Tom Lord Alge* (tracks: 10)
- Music By – Daryl Stuermer (tracks: 9)
- Photography By – Norman Watson
- Producer, Realization – Rob Cavallo
- Programmed By [Additional] – James Sanger
- Words By – Phil Collins (tracks: 9)
- Words By, Music By – Billy Nicholls (tracks: 10)
- Written-By, Arranged By – P.C.* (tracks: 1 to 8, 11, 12)
Notes
Two artwork versions exist. In the booklet of this one the names of Tim Pierce and James Sanger are abbreviated to TP and JS in the credits of "Wake Up Call". In the booklet of Phil Collins - Testify these names are written in full.
Recorded between 2000 - 2002 in Europe and U.S.A.
Published by Philip Collins Limited/Hit & Run Music (Publishing) Limited/EMI Music Publishing Limited
except track 10 published by EMI Music Publishing Limited
℗ 2002 Philip Collins Ltd. Excluslively licensed to Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world.
© 2002 Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world.
The copyright in this sound recording is owned by Philip Collins Ltd. Exclusively licenced to Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world. The copyright in this artwork is owned by Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world.
Made in by Warner Music Manufacturing Europe.
Recorded between 2000 - 2002 in Europe and U.S.A.
Published by Philip Collins Limited/Hit & Run Music (Publishing) Limited/EMI Music Publishing Limited
except track 10 published by EMI Music Publishing Limited
℗ 2002 Philip Collins Ltd. Excluslively licensed to Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world.
© 2002 Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world.
The copyright in this sound recording is owned by Philip Collins Ltd. Exclusively licenced to Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world. The copyright in this artwork is owned by Atlantic Recording Corporation for the US and WEA International Inc. for the rest of the world.
Made in by Warner Music Manufacturing Europe.
Barcode and Other Identifiers
- Barcode (Text): 8 09274 92732 3
- Barcode (Scanned, UPC-A): 809274927323
- Rights Society: GEMA/BIEM
- Label Code: LC04281
- Matrix / Runout (Variant 1): ['W' logo] 092749273-2.4 10/02 V01
- Mastering SID Code (Variant 1): IFPI L012
- Mould SID Code (Variant 1): IFPI 05M9
- Matrix / Runout (Variant 12): ['W' logo] 092749273-2.4 10/02 V01
- Mastering SID Code (Variant 12): IFPI L012
- Mould SID Code (Variant 12): IFPI 05M2
- Matrix / Runout (Variant 13): ['W' logo] 092749273-2.4 10/02 V01
- Mastering SID Code (Variant 13): IFPI L012
- Mould SID Code (Variant 13): IFPI 05M6
- Matrix / Runout (Variant 15): ['W' logo] 092749273-2.4 10/02 V01
- Mastering SID Code (Variant 15): IFPI L012
- Mould SID Code (Variant 15): IFPI 05N9
Other Versions (5 of 59)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Testify (CD, Album) | Face Value Records | 83563-2 | Canada | 2002 | |||
Recently Edited
|
Testify (CD, Album) | Face Value Records | 0927493262 | Australia | 2002 | ||
Recently Edited
|
Testify (CD, Album, Copy Protected) | Face Value Records | 5050466-1484-2-1 | UK | 2002 | ||
Recently Edited
|
Testify (Cassette, Album) | Face Value Records | 0927-49273-4 | 2002 | |||
New Submission
|
Testify (CD, Album) | Face Value Records | CD 83563 | Canada | 2002 |
Recommendations
Reviews
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Edited one year agoOne of my favorite artists, my #1 drummer, etc. But I only enjoy his first 4 solo albums. He lost the plot after that IMO with these later albums & the Disney stuff, however, his 1998 release "A hot night in Paris" was AMAZING.
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Drummers are often sentenced to a place in the background. Phil Collins (born 1951) is the exception to the rule. As in his band Genesis lead singer Peter Gabriel in 1975 for a solo career, takes Phil Collins vocals to his , first still from behind his drum kit but later also as a frontman. Collins knows of its ordinary appearance and his dry sense of humor to make a strong trademark. With the solo album Face Value (1981) and the single "In The Air Tonight he surprised friend and foe. The effective combination of criminal drumming and strong vocal melodies remained also determine his later solo work, all came through the years more and more emphasis on the latter. On Testify, his first full studio record since 1996, that trend continued. The album offers friendly pop rock which unfortunately have no way to know. Largest shortcoming is the lack of variation in tempo and rhythm. The drummer Phil Collins has finally made it to Testify against the singer Phil Collins.
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