The Black Angels – Indigo Meadow
Label: |
Blue Horizon (3) – BHV-16790-1 |
|---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
| A1 | Indigo Meadow | |
| A2 | Evil Things | |
| A3 | Don't Play With Guns | |
| A4 | Holland | |
| A5 | The Day | |
| A6 | Love Me Forever | |
| A7 | Always Maybe | |
| B1 | War On Holliday | |
| B2 | Broken Soldier | |
| B3 | I Hear Colors (Chromaesthesia) | |
| B4 | Twisted Light | |
| B5 | You're Mine | |
| B6 | Black Isn't Black |
Companies, etc.
- Phonographic Copyright ℗ – The Black Angels
- Copyright © – The Black Angels
- Licensed To – Blue Horizon Ventures
- Distributed By – The Orchard
- Manufactured By – The Orchard
- Published By – Always Maybe Music
- Produced At – Sonic Ranch Studios
- Produced At – Elmwood Recording
- Mixed At – Sonic Ranch Studios
- Mixed At – Elmwood Recording
- Mastered At – Sterling Sound
- Lacquer Cut At – Sterling Sound
- Pressed By – Rainbo Records – S-85003
- Pressed By – Rainbo Records – S-85004
Credits
- Artwork [Drawings] – Matt Cliff
- Design [Graphic Design] – Christian Bland
- Drums, Percussion – Stephanie Bailey
- Engineer [Assistant] – Charles Godfrey
- Guitar, Bass, Harmonium, Vocals, Autoharp, Organ [Gibson G101], Electric Piano [Hohner Pianet N], Celesta [Jenco Celeste] – Christian Bland
- Guitar, Bass, Organ [Rheem Mark VII], Organ [Gibson G101], Organ [Vox Super Continental], Organ [Compact Duo Farfisa], Synthesizer [Moog Prodigy Bass], Keyboards [Manetron], Percussion – Kyle Hunt
- Lacquer Cut By – SF*
- Lead Vocals, Bass, Organ [Compact Duo Farfisa], Organ [Vox Super Continental], Organ [Gibson G101], Flute [Native], Guitar, Singing Bowls – Alex Maas
- Mastered By – Greg Calbi
- Photography By [Cover Photos] – Courtney Chavanell
- Producer, Mixed By, Engineer – John Congleton
Notes
Gatefold sleeve, 180 gram vinyl. Includes a 20-page lyric booklet affixed to inside of gatefold. Comes with MP3 .
Produced and Mixed in Tornillo, Texas (August/September 2012) and in Dallas, Texas (September 2012).
Mastered in NYC.
©℗2013 The Black Angels under license to Blue Horizon Ventures
Runouts are etched.
Lacquer cutting company/engineer, vinyl pressing company derived from runouts.
Produced and Mixed in Tornillo, Texas (August/September 2012) and in Dallas, Texas (September 2012).
Mastered in NYC.
©℗2013 The Black Angels under license to Blue Horizon Ventures
Runouts are etched.
Lacquer cutting company/engineer, vinyl pressing company derived from runouts.
Barcode and Other Identifiers
- Rights Society: ASCAP
- Barcode (Text): 8 85686 93123 3
- Barcode (Scanned): 885686931233
- Matrix / Runout (Side A runout): BHV 16790-1 A S-85003 STERLING SF
- Matrix / Runout (Side B runout): BHV 16790-1 B S-85004 STERLING SF
Other Versions (5 of 8)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Indigo Meadow (CD, Album, Stereo) | Blue Horizon (3) | BHV-16790-2 | US | 2013 | |||
|
Recently Edited
|
Indigo Meadow (CDr, Advance, Album, Numbered, Promo) | Blue Horizon (3) | none | US | 2013 | ||
| Indigo Meadow (CD, Album) | Pod | PODCD0785 | Australia | 2013 | |||
|
New Submission
|
Indigo Meadow (LP, Album, Test Pressing) | Blue Horizon (3) | BHV 16 790 | US | 2013 | ||
|
New Submission
|
Indigo Meadow (CD, Album) | Wise Records (6) | WISE-1 | US | 2013 |
Recommendations
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2014 USVinyl —10", 33 ⅓ RPM, EP, Record Store Day, Limited Edition -
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Reviews
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Edited 5 years agoLP copies at participating US record shops,came with a black lite poster of the album cover,at the bottom, it says"LISTEN TO THE BLACK ANGELS",these posters were given away on release day,I do not know how many were made,but probably not many. -
I love this album, but you really have to crank this record to get it sound halfway decent. Not very dynamic. The only thing this has over the CD is that the clipping is absent. -
This is the best Black Angels album to date! Dripping lush tones with heavy riffs. 1960's modern at it's finest! Keep the wax coming.
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Indigo Meadow, filled with spacey hypnotic splendor, channels the mystic ethereal delights of The Doors and early Pink Floyd, overflowing the grooves with a heartbeat pounding bass that inches along like some dark foreboding undercurrent onto which 60’s era wobbling fuzzed out guitars and tribal drumming unearth a time and state of mind that’s nearly been forgotten. The Black Angels have learned, or perhaps have been given the gift of transcending both time and space, enticing colours out of pure oxygen, and compressing the atmosphere while setting controls for a acid-laced spiritual overdrive that will jettison the listener to a place beyond their scope of being.
The tone-arm had barely lifted before I was swept with the intoxicating notion that Phosphene Dream had been their Revolver, and that as The Beatles had done so many years ago, The Angels have taken a sonic step from the realm of easy psychedelic pop to a Beatle-esque Sgt. Pepper journey [with the emphasis on 'journey'], one filled with personal and social implications that would, and hopefully here will, set a new generation at the steps of musical enlightenment and wonder. Indigo Meadow is much more psychedelic than neo-psychedelic ... with the band sounding less sinister, and no longer assaulting the listener with their visionary concepts, choosing more to nudge the listener, almost unknowingly, into their sphere of influence ... and what a wonderful place it is to be.
Release
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