Neil Young – Live At The Cellar Door
Label: |
Reprise Records – 9362-49434-6 |
|---|---|
Series: |
Because Sound Matters |
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Acoustic |
Tracklist
| A1 | Tell Me Why | 2:52 | |
| A2 | Only Love Can Break Your Heart | 3:14 | |
| A3 | After The Gold Rush | 3:48 | |
| A4 | Expecting To Fly | 3:22 | |
| A5 | Bad Fog Of Loneliness | 2:01 | |
| A6 | Old Man | 3:41 | |
| A7 | Birds | 2:19 | |
| B1 | Don't Let It Bring You Down | 2:38 | |
| B2 | See The Sky About To Rain | 3:21 | |
| B3 | Cinnamon Girl | 3:29 | |
| B4 | I Am A Child | 3:43 | |
| B5 | Down By The River | 4:25 | |
| B6 | Flying On The Ground Is Wrong | 7:11 |
Companies, etc.
- Record Company – Warner Music Group
- Phonographic Copyright ℗ – Silver Bow Productions, Inc.
- Copyright © – Silver Bow Productions, Inc.
- Published By – Broken Arrow Music Corp.
- Published By – Richie Furay Music
- Published By – Springalo Toones
- Published By – Ten East Music
- Published By – Broken Fiddle Music
- Published By – Silver Fiddle Music
- Recorded At – The Cellar Door
- Mixed At – Redwood Digital
- Mastered At – Bernie Grundman Mastering
- Designed At – R. Twerk & Co.
- Manufactured By – Pallas USA
- Pressed By – Schallplattenfabrik Pallas GmbH – 28987
Credits
- Art Direction, Design [For R. Twerk & Co] – Jenice Heo
- Lacquer Cut By – CB*
- Management [Direction] – Lookout Management
- Mastered By [Vinyl] – Chris Bellman
- Mixed By – Tim Mulligan
- Photography By [Inside Photo Of Neil Young] – Gary Burden
- Photography [Front & Back Cover] [Courtesy Of] – George Mason University Special Collections & Archives
- Producer – Neil Young
- Recorded By – Henry Lewy
- Vocals, Guitar, Piano, Written-By – Neil Young
Notes
Housed in a Stoughton tip-on gatefold jacket.
Includes single sheet insert with credits and recording info.
[Rear sleeve:]
Reprise Records, a Warner Music Group company. © ℗ 2013 Silver Bow Productions, Inc. Printed in U.S.A.
[Insert:]
Recorded at The Cellar Door, Washington, D.C.
November 30 - December 2, 1970.
Published by Broken Arrow Music Corp. (ASCAP), except A4, B4 and B6 published by Broken Arrow Music Corporation/Richie Furay Music/Springalo Toones/Ten-East Music; A6 and B2 published by Broken Fiddle Music (ASCAP); A5 published by Silver Fiddle Music (ASCAP).
Photography: Front and back cover - courtesy of George Mason University Special Collections & Archives.
Inside newspaper ad and article from previous appearance - Washington Star May 15, 1969.
©2013 Silver Bow Productions, Inc. Made in U.S.A. 535854-1
[Labels:]
© ℗ 2013 Silver Bow Productions, Inc. Manufactured in .
[Silver sticker on shrink wrap:]
180 gram
Available for
the first time
Neil Young's
historic live
performance at
The Cellar Door
Recorded in 1970
Because Sound Matters
9362-49434-6
Catalog # 9362-49434-6 is found on sticker only.
This edition is identical to the US entry (Live At The Cellar Door) - same pressing, same sleeve, the only difference being the reference listed on the hype sticker.
Runout details:
Everything is hand-etched except stamped "-28987- P.USA" on both sides.
Includes single sheet insert with credits and recording info.
[Rear sleeve:]
Reprise Records, a Warner Music Group company. © ℗ 2013 Silver Bow Productions, Inc. Printed in U.S.A.
[Insert:]
Recorded at The Cellar Door, Washington, D.C.
November 30 - December 2, 1970.
Published by Broken Arrow Music Corp. (ASCAP), except A4, B4 and B6 published by Broken Arrow Music Corporation/Richie Furay Music/Springalo Toones/Ten-East Music; A6 and B2 published by Broken Fiddle Music (ASCAP); A5 published by Silver Fiddle Music (ASCAP).
Photography: Front and back cover - courtesy of George Mason University Special Collections & Archives.
Inside newspaper ad and article from previous appearance - Washington Star May 15, 1969.
©2013 Silver Bow Productions, Inc. Made in U.S.A. 535854-1
[Labels:]
© ℗ 2013 Silver Bow Productions, Inc. Manufactured in .
[Silver sticker on shrink wrap:]
180 gram
Available for
the first time
Neil Young's
historic live
performance at
The Cellar Door
Recorded in 1970
Because Sound Matters
9362-49434-6
Catalog # 9362-49434-6 is found on sticker only.
This edition is identical to the US entry (Live At The Cellar Door) - same pressing, same sleeve, the only difference being the reference listed on the hype sticker.
Runout details:
Everything is hand-etched except stamped "-28987- P.USA" on both sides.
Barcode and Other Identifiers
- Barcode (Text): 0 93624 94346 4
- Barcode (Scanned): 093624943464
- Rights Society (Publishing): ASCAP
- Matrix / Runout (Side A runout): 1-535854-A-RE1 cB -28987- P.USA
- Matrix / Runout (Side B runout): 1-535854-B-RE-1 cB -28987- P.USA
Other Versions (5 of 13)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Live At The Cellar Door (CD, HDCD, Album) | Reprise Records | 9362-49434-5, 9362494345 | Europe | 2013 | |||
|
New Submission
|
Live At The Cellar Door (CD, HDCD, Album) | Reprise Records | 535854-2 | US | 2013 | ||
|
Recently Edited
|
Live At The Cellar Door (CD, Album) | Reprise Records | 2-535854 | Canada | 2013 | ||
|
New Submission
|
Live At The Cellar Door (CD, Album) | Reprise Records | 9362494345 | Australia | 2013 | ||
|
New Submission
|
Live At The Cellar Door (CD, Album, Unofficial Release) | Reprise Records (2) | 535854-2 | Russia | 2013 |
Recommendations
Reviews
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Edited 2 years agoPlease Please Please for the love of god, stop posting reviews of records when you have crap carts or turntables. This record sounds amazing and there are no zero the empty set skips on Old Man or any other track. I’m not an elitist and have been in your shoes. I had an orbit turntable and grado blue and shit skipped on almost every record I bought. Guess what, I didn’t write negative reviews of the vinyl cause I knew my rig was suspect. Since upgrading to a Rega Planar3 I have experienced no skips on any record. None. -
I can't believe this is still going for $18-$20. Sounds so good! Buy it now if you like Neil Young. -
Edited 4 years agoIf you are a Neil Young fan or beginning to explore his music buy this album. Mine is of stellar quality production wise and has stunning sonics with tubes and Altec 19’s. It’s one of those close your eyes and you are almost there in person albums. Neil is a delightful host, impish at times and clearly as pleased to be at the venue as the audience is.
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This is my favorite Neil Young! Him and a Piano and his best writing.
Pressing is flat and quiet and it feels like you are there -
I've had my copy for several years now (purchased roughly early 2017/late 2016) and it sounds incredible. Flat, dead silent and sounds so wonderful. 5/5 stars easily. -
Edited 3 years agoI bought my copy shortly after it was released and it plays through fine on both sides without any skipping or jumping that is noted below.
Edit November 2021:
Alright so maybe since my setup has become (slightly) better than what I had when I originally posted this, I'm hearing the bad things that have been mentioned by others. It's not totally unlistenable but I will be looking for another copy. Weird static for about 8 seconds during the A1 and then moments of distortion enough to be annoying during the rest of the side. I'm going to guess side B will be similar before I even put it on. Interesting how much I disagree what I originally said between two different tables (U-Turn w/ acrylic platter and Grado Black VS Technics 1200 II w/ Grado Blue. -
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I am looking for the matrix numbers on the first pressing. I suspect there is now a second pressing, my copy has RE-1 in deadwax. No skipping on Old Man which was also a well documented issue. -
Does anyone else's vinyl jump on "old man" A6"? Can't see any marks so wonder if there's a pressing problem?
Release
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