Amy Winehouse – Back To Black
Label: |
Island Records Group – 173 412 8 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
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Genre: |
Pop |
Style: |
Soul |
Tracklist
| A1 | Rehab | |
| A2 | You Know I'm No Good | |
| A3 | Me & Mr Jones | |
| A4 | Just Friends | |
| A5 | Back To Black | |
| A6 | Love Is A Losing Game | |
| B1 | Tears Dry On Their Own | |
| B2 | Wake Up Alone | |
| B3 | Some Unholy War | |
| B4 | He Can Only Hold Her | |
| B5 | Addicted |
Companies, etc.
- Phonographic Copyright ℗ – Universal Island Records Ltd.
- Copyright © – Universal Island Records Ltd.
- Record Company – Universal Music
- Pressed By – Optimal Media Production – B788458
- Published By – EMI Music Publishing Ltd.
- Published By – Jobete Music
- Published By – EMI Music Ltd.
- Published By – IQ Music Ltd.
- Published By – Jobete Music, Inc.
- Published By – Jobete Music (UK) Ltd.
- Recorded At – Instrument Zoo
- Recorded At – Dapking Studios
- Recorded At – Chung King Studios
- Recorded At – Metropolis Studios
- Recorded At – Daptone Studios
- Recorded At – Allido Sound
- Mixed At – Circle House Studios
- Designed At – Free Barrabas!
- Mastered At – Metropolis Mastering
Credits
- Alto Saxophone – Chris Davies* (tracks: A1, A5, A6)
- Alto Saxophone, Flute, Clarinet, Piano, Celesta [Celeste] – Vincent Henry (tracks: B1)
- Arranged By [All Band Arrangements] – Mark Ronson (tracks: A1, A2, A5, A6, B2)
- Arranged By [Orchestra], Conductor [Orchestra] – Chris Elliott (tracks: A1, A5, A6)
- Backing Vocals [Background Vocals] – Amy Winehouse (tracks: A3, B1, B3, B5)
- Baritone Saxophone – Ian Hendrickson-Smith (tracks: A1, A2)
- Baritone Saxophone [Baritone Sax] – Dave Bishop (tracks: A1, A5, A6)
- Baritone Saxophone, Tenor Saxophone, Guitar – Vincent Henry (tracks: A3, B1)
- Bass – Salaam Remi (tracks: A4, B1, B3, B5)
- Bass Guitar – Nick Movshon (tracks: A1, A2, A5, A6, B2, B4)
- Cello – John Heley (tracks: A1, A5, A6)
- Clarinet, Bass Clarinet, Guitar – Vincent Henry (tracks: A4)
- Contractor [Orchestra] – Isobel Griffiths (tracks: A1, A5, A6)
- Design – Alex Hutchinson
- Double Bass [Upright Bass], Drums, Piano – Salaam Remi (tracks: A3)
- Drums – Troy Auxilly-Wilson (tracks: A4, B1, B5)
- Drums, Guitar – Salaam Remi (tracks: B3)
- Electric Piano [Rhodes], Organ – John Adams* (tracks: A4, B5)
- Engineer [Assistant Recording] – Dom Morley (tracks: A1, A5, A6, B4)
- Engineer [Assistant] – Mike Makowski (tracks: A1, A2, A5, A6, B2)
- Finger Snaps [Snaps] – Mark Ronson (tracks: B4)
- Guitar – Vincent Henry (tracks: B3)
- Handclaps [Claps] – Vaughan Merrick (tracks: A1)
- Harp – Helen Tunstall (tracks: A1, A6)
- Lacquer Cut By – Stu.*
- Leader [Orchestra] – Perry Montague-Mason (tracks: A1, A5, A6)
- Management – Raye Cosbert
- Management [Tour Booking] – Paul Franklin (3)
- Mastered By [Vinyl] – Stu.*
- Mixed By – Tom Elmhirst (tracks: A1, A2, A5, A6, B1, B2, B4)
- Mixed By [Assisted By] – Matt Paul (tracks: A1, A2, A5, A6, B1, B2, B4)
- Organ – John Adams* (tracks: B3)
- Organ [Wurlitzer], Handclaps [Claps] – Victor Axelrod (tracks: A1, A2)
- Percussion – Sam Koppelman (tracks: B4)
- Photography By [Cover, Inner Sleeve] – Mishca Richter*
- Photography By [Inner Sleeve] – Harry Benson (2)
- Piano – Victor Axelrod (tracks: A1, A2, A5, A6, B2, B4)
- Piano, Guitar – Salaam Remi (tracks: B1)
- Producer – SALAAMREMI.COM* (tracks: A3, A4, B1, B3, B5)
- Producer [Original Demo] – P*Nut (tracks: B4)
- Recorded By – Vaughan Merrick (tracks: A1, A5, A6, B2, B4)
- Recorded By [Assisted By] – Shomari "Sho" Dillon (tracks: A3, A4, B1, B3, B5)
- Saxophone [Saxophones], Guitar [Guitars] – Vincent Henry (tracks: B5)
- Tambourine – Troy Auxilly-Wilson (tracks: B1)
- Tenor Saxophone – Neal Sugarman (tracks: A1, A2, B4)
- Tenor Saxophone [Tenor Sax] – Mike Smith (3) (tracks: A1, A6)
- Trombone [Tenor] – Richard Edwards (2) (tracks: A1, A6)
- Trumpet – Steve Sidwell (tracks: A1, A6)
- Trumpet [Bass], Flugelhorn – Bruce Purse (tracks: A3, A4, B1, B5)
- Viola – Rachel Bolt (tracks: A1, A5, A6)
- Violin – Warren Zielinski (tracks: A1, A5, A6)
- Written-By – Robert Poindexter (tracks: B4)
Notes
This release is near identical to GZ Digital Media and so doesn't display their stamped five-digit job number in the runouts, and (ii) it is a heavyweight pressing.
A sticker is fixed to the sleeve and reads: Britain's best female artist Brit Awards 2007 Includes the singles Rehab, You No I'm No Good, Back To Black and Tears Dry On Their Own 173 412 8.
The cardboard thickness of the original inner is thinner (lighter) than the one issued with the 2009 repress Amy Winehouse - Back To Black.
"This album is dedicated to my Nan Cynthie, god rest her soul. I love you Nan. Don't stop paying me visits while I'm asleep.
And for anyone who falls in love every day."
All tracks published by EMI Music Publishing Ltd., except Side Two track 1 published by EMI Music Publishing Ltd., Jobete Music/EMI Music Ltd., Side Two track 4 published by EMI Music Publishing Ltd., IQ Music Ltd.
Side One tracks, 1, 2, 5 & 6 and Side Two tracks 1, 2 & 4: Mixed by Tom Elmhirst for osOHso.
Side One tracks 3 & 4 and Side Two tracks 1, 3 & 5: Produced by SALAAMREMI.COM. Recorded at Instrument Zoo, Miami, FL. Mixed at Circle House Studios, Miami, FL.
Side One tracks 1, 2, 5 & 6 and Side Two track 2: Recorded at Dapking Studios, Chung King Studios and Metropolis Studios, London.
Side Two track 1: Contains a sample interpolation of "Ain't No Mountain High Enough", published by Jobete Music Inc. and Jobete Music (UK) Ltd.
Side Two track 4: Recorded at Daptone Studios by Gabriel Roth, Allido Studios by Vaughan Merrick and Derek Pacuk, and Metropolis Studios by Dom Morley and Matt Paul. Contains a sample interpolation of "She's A Fox Now", published by IQ Music Ltd.
Management: Raye Cosbert for Metropolis Music.
Tour Booking at Helter Skelter.
℗ 2007 Universal Island Records Ltd. A Universal Music Company. © 2007 Universal Island Records Ltd. A Universal Music Company. The copyright in this sound recording and artwork is owned by Universal Records Ltd. Made in the EU.
A sticker is fixed to the sleeve and reads: Britain's best female artist Brit Awards 2007 Includes the singles Rehab, You No I'm No Good, Back To Black and Tears Dry On Their Own 173 412 8.
The cardboard thickness of the original inner is thinner (lighter) than the one issued with the 2009 repress Amy Winehouse - Back To Black.
"This album is dedicated to my Nan Cynthie, god rest her soul. I love you Nan. Don't stop paying me visits while I'm asleep.
And for anyone who falls in love every day."
All tracks published by EMI Music Publishing Ltd., except Side Two track 1 published by EMI Music Publishing Ltd., Jobete Music/EMI Music Ltd., Side Two track 4 published by EMI Music Publishing Ltd., IQ Music Ltd.
Side One tracks, 1, 2, 5 & 6 and Side Two tracks 1, 2 & 4: Mixed by Tom Elmhirst for osOHso.
Side One tracks 3 & 4 and Side Two tracks 1, 3 & 5: Produced by SALAAMREMI.COM. Recorded at Instrument Zoo, Miami, FL. Mixed at Circle House Studios, Miami, FL.
Side One tracks 1, 2, 5 & 6 and Side Two track 2: Recorded at Dapking Studios, Chung King Studios and Metropolis Studios, London.
Side Two track 1: Contains a sample interpolation of "Ain't No Mountain High Enough", published by Jobete Music Inc. and Jobete Music (UK) Ltd.
Side Two track 4: Recorded at Daptone Studios by Gabriel Roth, Allido Studios by Vaughan Merrick and Derek Pacuk, and Metropolis Studios by Dom Morley and Matt Paul. Contains a sample interpolation of "She's A Fox Now", published by IQ Music Ltd.
Management: Raye Cosbert for Metropolis Music.
Tour Booking at Helter Skelter.
℗ 2007 Universal Island Records Ltd. A Universal Music Company. © 2007 Universal Island Records Ltd. A Universal Music Company. The copyright in this sound recording and artwork is owned by Universal Records Ltd. Made in the EU.
Barcode and Other Identifiers
- Barcode (Scanned): 602517341289
- Barcode (Printed): 6 02517 34128 9
- Rights Society: BIEM/SABAM
- Label Code: LC00407
- Matrix / Runout (Runout side A, etched): B788458-01A1 1734128 Stu.
- Matrix / Runout (Runout side B, etched): B788458-01B1 1734128
Other Versions (5 of 189)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Back To Black (CD, Album, Enhanced) | Universal Records | 171 304-1 | UK | 2006 | ||
| Back To Black (CD, Album, Stereo, Super Jewel Box) | Island Records Group | 171 421 1, 171 421-1 | Europe | 2006 | |||
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Recently Edited
|
Back To Black (CD, Album) | Universal Records | 460502601168 | Russia | 2006 | ||
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Recently Edited
|
Back To Black (CD, Album) | Island Records Group | 172 613 3 | Poland | 2006 | ||
|
New Submission
|
Back To Black (CD, Album, Special Edition) | Island Records Group | 174 130-3 | 2006 |
Recommendations
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2014 UK, Europe & USVinyl —LP, Album, Reissue, Remastered -
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Reviews
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My copy is great, it is very quiet with no surface noise. Very slight noise between songs but barely noticeable. Overall great quality sound especially vocals.
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Another very positive comment in favor of this release. As others have already stated, my copy also has no pressing default and plays great.
Very happy with my purchase! -
I’m surprised that so many seem to have got defect copies of this pressing. My pressing is perfect and sounds great. I agree with DistriSaturn; great dynamics, very powerful clear sound and great bass as well. This is as good as it gets.
Played on this vinyl rig:
Michell Orbe SE, SME IV tonearm, Benz Micro LP and ARC PH5 phono stage. -
Just bought this Optimal Media pressing in a second hand record store (not sealed and used) with its release sticker. Great dynamics, no surface noises, no pressing default. A very powerful and clear sound. Very happy with my purchase and I don't understand the bad reviews below. -
Awful pressing ! I bought it new and i cleaned it like all my vinyls after a disastrous first listening. Result : exactly the same, every second half on both sides is unlistenable ! I so regret buying it, it's theft, the worst pressing i've heard in my life. Of course it's digital not analog. -
BEWARE of sellers that sell reissues as original pressings. If it’s sealed it’s 99% a reissue. They all look exactly the same but for the runout info, ask for it before buying. -
My copy is fantastic. Quiet vinyl and dynamic sound. All new vinyl has to be properly cleaned to get the best sound.
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Nothing wrong with my pressing.
I always clean my new records with antistat liquid before using the LP. Because when i unpack a new LP and play it right away the LP is very static and even sticks to my cork slipmat and attracts lots of dust.
Since i do this i never have problems with distorted sound, sticking slipmat and dust..
I think thats what the people are experiencing when i read the reviews..
Hope this can help some people before getting frustrated and maby throw away a good vinyl.. -
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