The Arcs (3)Yours, Dreamily,

Label:

Nonesuch – 549857-1

Format:

Vinyl , LP, Album

Country:

UK, Europe & US

Released:

Genre:

Rock

Style:

Alternative Rock

Tracklist

A1 Once We Begin (Intro)
A2 Outta My Mind
Bass, Vocals, Keyboards, GuitarDan*
DrumsHomer Steinweiss
Organ, Piano, PercussionLeon*
A3 Put A Flower In Your Pocket
Backing VocalsFlor de Toloache
Bass, Vocals, Acoustic Guitar, SynthDA*
DrumsRichard Swift (2)
Electric GuitarRuss Pahl
Organ [Acetone Organ], SynthLeon*
A4 Pistol Made Of Bones
Backing Vocals, Horns, StringsFlor de Toloache
Drums, Percussion, Acoustic GuitarSwift*
Electric Guitar, VocalsDA*
GuitarrónVeronica Medellin
Written-By ["Fai Yen"], Performer ["Fai Yen"]Ream Daranoi*
A5 Everything You Do (You Do For You)
Bass, Guitar, VocalsDA*
DrumsChamberlin*
HornsLeon*
Keyboards, VocalsSwift*
A6 Stay In My Corner
BassNick Movshon
DrumsHomer*
Guitar, VocalsDA*
Keyboards, PianoLeon*
A7 Cold Companion
Drums, VocalsSwift*
Guitar, VocalsDA*
GuitarrónVeronica Medellin
Horns, Organ [Hammond]Leon*
B1 The Arc
Backing VocalsFlor de Toloache
BassNick*
DrumsHomer*
GuitarTommy Brenneck*
Guitar, VocalsDA*
Organ [Hammond], PianoLeon*
B2 Nature's Child
Sounds [All Other Sounds]Leon*
TromboneRay Mason (3)
VocalsLee Fields
B3 Velvet Ditch
Drums, Vocals, KeyboardsSwift*
Horns, GuitarLeon*
Vocals, Guitar, BassDA*
B4 Chains Of Love
Drums, KeyboardsSwift*
Guitar, KeyboardsLeon*
Lead Vocals, Backing VocalsFlor de Toloache
Vocals, Guitar, Bass, KeyboardsDA*
B5 Come & Go
Sounds [All Sounds]Leon*
B6 Rosie (Ooh La La)
Backing VocalsFlor de Toloache
Bass, Sounds [Buzz], Keyboards, Vocals, GuitarDA*
DrumsSwift*
Piano, KeyboardsLeon*
B7 Searching In The Blue
Baritone Guitar, GuitarKennie Vaughn*
Double Bass [Upright Bass]Dave Roe
DrumsJeffrey Clemens
HornsLeon*
Pedal Steel GuitarRuss*
Piano, Organ [Hammond], Horns, VocalsBobby Emmett
VocalsBrian Olive
Vocals, Acoustic Guitar, PercussionDA*

Companies, etc.

  • Phonographic Copyright ℗Nonesuch Records Inc.
  • Phonographic Copyright ℗WEA International Inc.
  • Copyright ©Nonesuch Records Inc.
  • Copyright ©WEA International Inc.
  • Recorded AtEasy Eye Sound Studios, Nashville, TN
  • Recorded AtThe Diamond Mine
  • Recorded AtElectric Lady Studios
  • Recorded AtThe Sound Factory
  • Mastered AtMagic Garden Mastering
  • Published ByHour Box Music
  • Published ByEMI Blackwood Music Inc.
  • Published BySongs Of Kobalt Music Publishing
  • Published ByExtraordinaire Music
  • Published ByMusic Of Big Deal
  • Published ByBMG Platinum Songs US
  • Published ByKartel Music Ltd.
  • Licensed FromSoundway Records Ltd.
  • Pressed ByRecord Industry – 13481
  • Made ByRecord Industry
  • Record CompanyWarner Music Group

Credits

  • Art DirectionRic Alessio*
  • Design [Graphic Design]Ric Alessio*
  • EngineerPhil Joly
  • Illustration, Artwork [Hand Lettering]El Oms
  • Legal [Sample Clearance By]Alien Music*
  • ManagementQ Prime South*
  • Mastered ByBrian Lucey
  • Mastered By [Vinyl]CB*
  • Mixed ByTchad Blake
  • Photography By [Insert Photography]Alysse Gafkjen
  • ProducerLeon Michels
  • SongwriterNicholas Movshon* (tracks: A2, A5, B1)

Notes

The first 500 copies pre-ordered through The Arcs official website were signed by Dan Auerbach. The signed version has a different barcode stickered over the sleeve barcode.

Includes MP3 card.

℗ & © 2015 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.

Recorded at various locations including:
Easy Eye Sound - Nashville, TN; The Diamond Mine - Queens, NY; Electric Lady Studios - NYC & Sound Factory - Los Angeles, CA.

All songs published by Hour Box Music, istered by Wixen Music Publishing (BMI) except tracks A1, A3, A5, A7, B7, B4-B6 published by Hour Box Music, istered by Wixen Music Publishing (BMI), EMI Blackwood Music (BMI); and tracks A2, A5, B1 published by Hour Box Music, istered by Wixen Music Publishing (BMI), EMI Blackwood, Songs of Kobalt (BMI)/Extraordinaire Music/Music of Big Deal, BMG Platinum Songs US (BMI).

"Once We Begin (Intro)" contains a sample from Self-Hypnosis Conditioning by Gil Boyne/Self-Help Institute.
"Pistol Made of Bones" contains elements from "Fai Yen" written and performed by Ream Daranoi. Licensed courtesy of Soundway Records Ltd. Published by Kartel Music Ltd. (ASCAP).

Barcode and Other Identifiers

  • Barcode (Printed Text): 0 75597 95001 4
  • Barcode (Scanned): 075597950014
  • Barcode (Stickered barcode on signed version): 0 75597 94941 4
  • Rights Society: BMI
  • Rights Society: ASCAP
  • Matrix / Runout (Side A runout etched, 13481 1A stamped): 1-549857-A CB B 13481 1A
  • Matrix / Runout (Side B runout etched, 13481 1B stamped): 1-549857-B CB B 13481 1B

Other Versions (5 of 11)

View All
Title (Format) Label Cat# Country Year
New Submission
Yours, Dreamily, (CD, Album) Nonesuch 549857-2 US 2015
New Submission
Yours, Dreamily, (CD, Album, Unofficial Release) Nonesuch (2) 7559-79500-0 Russia 2015
New Submission
Yours, Dreamily, (CD, Album) Nonesuch WPCR-16756 Japan 2015
New Submission
Yours, Dreamily, (14×File, MP3, Album, 320 kbps) Nonesuch 548243-1 2015
Recently Edited
Yours, Dreamily, (CD, Album) Nonesuch 549857-2 Canada 2015

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Reviews

  • CoconutWax's avatar
    CoconutWax
    One of the best sounding records in my collection, sound quality is just fantastic!
    • Boss_Rocka's avatar
      Boss_Rocka
      This is a killer record, and a very tight pressing. It’s badass from front to back and date I say I would take The Arcs over The Black Keys. Content is all that and a bowl of grits, and if you end up digging this, don’t miss out on Electrophonic Chronic as well.
      • Martin_Stoyanov's avatar
        Martin_Stoyanov
        A great album and a very good pressing. Sounds nice and dynamic.
        • kalo666's avatar
          kalo666
          Plays like a charm. This is magic on vinyl right there. 100% bliss.
          • waxhoarder's avatar
            waxhoarder
            Very good quality pressing - it's got a very low noise floor, has decent channel separation, and plenty of bass/treble but the overall mix is a bit flat and leaves me wanting more mids. Maybe this faux-retro flatness is what the band was after but the sound engineer probably should've ignored that direction. Don't get me wrong, I love the band and this release, I'd just rather hear it mixed a little better.

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