Tracklist
| A1 | Hurricane | 4:44 | |
| A2 | Blood On The Sand | 2:50 | |
| A3 | The Window | 3:34 | |
| A4 | Wake Up | 4:07 | |
| A5 | The Long Defeat | 4:11 | |
| A6 | Seneca | 1:00 | |
| B1 | Black Honey | 3:59 | |
| B2 | Stay With Me | 4:00 | |
| B3 | Death From Above | 3:37 | |
| B4 | Whistleblower | 3:26 | |
| B5 | Salt And Shadow | 6:08 |
Companies, etc.
- Phonographic Copyright ℗ – BMG Rights Management (US) LLC
- Copyright © – BMG Rights Management (US) LLC
- Copyright © – Kings Upon The Main
- Produced At – Palmquist Studios
- Engineered At – Palmquist Studios
- Mixed At – Palmquist Studios
- Mastered At – Sterling Sound
- Pressed By – MPO
Credits
- Art Direction, Design, Artwork – Christopher Royal King*
- Band – Teppei Teranishi
- Band, Lyrics By – Dustin Kensrue
- Booking [European] – X-ray Touring
- Booking [North American, Australian, & Japanese] – Andrew Ellis (4)
- Engineer – Steven Aguilar
- Lacquer Cut By – NT*
- Legal – Scott Bradford (3)
- Management – Relentless Artist Management*
- Management [Business] – Nick Ben-Meir
- Mastered By – Ted Jensen
- Music By – Thrice
- Producer, Engineer, Mixed By – Eric Palmquist
- Technician [Drum] – Colin 'Gravy' Strahm*
- Technician [Guitar] – Mike Orr
Notes
Includes a 24-page 12"x12" lyrics and photos booklet and digital copy code on card.
Tracks listed I-XI on jacket and labels
℗&© 2016 BMG Rights Management (US) LLC D/B/A Vagrant Records.
Tracks listed I-XI on jacket and labels
℗&© 2016 BMG Rights Management (US) LLC D/B/A Vagrant Records.
Barcode and Other Identifiers
- Barcode (Sticker on Shrink): 075597946079
- Barcode (Print on Jacket): 4050538196368
- Matrix / Runout (Side A, Etched): 16-0109 NL VR4390-A NT MPO
- Matrix / Runout (Side B, Etched): 16-0109 NL VR4390-B MPO NT
- Rights Society: ASCAP
Other Versions (5 of 11)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
To Be Everywhere Is To Be Nowhere (CD, Album, Digipak) | BMG | VR4391 | US | 2016 | ||
| To Be Everywhere Is To Be Nowhere (LP, Album, Limited Edition, Smoke 180g) | BMG | VR4390 | US | 2016 | |||
|
Recently Edited
|
To Be Everywhere Is To Be Nowhere (CD, Album) | BMG | 538202012 | Europe | 2016 | ||
|
New Submission
|
To Be Everywhere Is To Be Nowhere (LP, Album, Limited Edition, Teal Marble, 180g) | BMG | VR4390 | US | 2016 | ||
|
New Submission
|
To Be Everywhere Is To Be Nowhere (LP, Album, Limited Edition, Brown) | BMG | VR4390 | US | 2016 |
Recommendations
Reviews
-
Sadly, I'm pretty disappointed with the sound of this LP. The songs themselves are fantastic front-to-back, but this mix is just distorted, flat and lifeless. Very noisy as well.
Packaging is great. One of the best records I own in that regard, but unfortunately, one of the worst sounding ones too. -
Bought this version second hand (NM-) today at a local record store. It's spinning right now for the second round.
I first heard the album digital and was taken with the overall production, the used echo- and reverb types as well as Dustin Kensrue's raspy voice and lyrics. But as todays music the digital is pretty compressed hence loudness war and what so not. That said - I primarily got it on vinyl because of the overall sound of the record and the wish of more dynamics and clarity.
Sadly I have to say I'm pretty disappointed how this pressing sounds. The cymbals are distorting badly in louder parts - when it gets heavier even voice, snare and guitars. Interestingly more on side A than B. This gets louder towards the end of each side (I have vinyl with way more minutes on each side but no inner groove dist.). The bass sits - like the digital version - pretty low in the mix. The kick however is very dominant and deep sounding. It has an too early roll off in the highs - less detail and brilliance as you hope to get from a vinyl.
The pressing has a very slight noisefloor but maybe that's just the static (I don't have a proper way to deeply clean my records yet). Overall a pretty compressed and loud master. A tiny bit more dynamics like the digital if I right (got to check that again) - but nethertheless. They clearly tried to make this as loud possible.
The packaging on the other hand is very nice. Thick booklet with sewn spine, the cover is printed inside out on sturdy paper and contains a digital as well. The paper feels really nice - like recycled.
I'm gonna stick with this pressing for now and get the CD next. Maybe a get a bit more detail out of that. If not - I'll have to wait until a better pressing comes along. -
Release
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